Showing posts with label Camp Lo. Show all posts
Showing posts with label Camp Lo. Show all posts

April 23, 2008

Camp Lo - Short Eyes (EP) (2001)



Releasing an EP when nobody knows who you are is one thing, but when you're already an established artist in the hip hop game, an EP release means one of two things: either your label just wants to make some extra money off of you (see: how Columbia pimped leftover tracks by Nas, the Fugees, Cypress Hill, etc.), or it's been a while between album sand you're very much concerned that the fans you gained with your first album have since outgrown you, thanks to a lack of a timely follow up.

Obviously, Camp Lo would fall into the second category. Their debut, Uptown Saturday Night, was released in 1997 to critical acclaim and almost no sales, which is a shame, since it was quite good. Although the album failed to meet expectations, Sonny Chiba and Geechie Suede continued to hustle in the music industry, finding a lot of success working with artists as diverse as Will Smith and Oran "Juice" Jones. On their downtime, the duo continued to record tracks under their Camp Lo alias, primarily for their core audience, which would have been entirely made up of bloggers like myself had they existed back then.

Six of these tracks were collected and released as an EP called Short Eyes. I don't have a lot of information on this album, since it was released in Japan only (I obtained mine as an import through Amazon.com), so I'm not even one hundred percent that this is a legally sanctioned release, but I can confirm that, not only are the rappers the Geechie Suede and Sonny Chiba that we already know and, well, love is a strong word, these six tracks (which were all recorded after the Uptown Saturday Night sessions; a couple of which even found their way into deejay's crates as vinyl singles) are notable because none of them are produced by their longtime cohort Ski, whom I assume was too busy wondering why he wasn't a bigger part of Shawn Carter's career when he produced some of the best tracks on Reasonable Doubt. However, the producers that do contribute all aim toward the 1970's blaxploitation vibe that Ski perfected on Uptown Saturday Night.

That was a short intro. This is more tiring than you may think.

1. CYBERSEX
The awful title betrays a song that actually doesn't sound bad. A minimalist beat stays out of the way of the raps, most of which make as much sense as Uptown Saturday Night, which is to say, not at all.

2. ARMY
For a song that is not a cover of the Ben Folds Five track "Army", it's actually pretty good. The beat is incredibly engaging, so kudos to Tribeca, yet another producer that you've probably never heard of.

3. SUNKISS
This song was boring as shit. Sorry.

4. BABY'S MOTHER
Royce Da 5'9" has had a song floating around on the Interweb for quite a while now called "Clap To This" that uses the same sample as this song. It's a good component for a hip hop instrumental, so both Royce and the Lo sound great over it on their respective songs. Aside from the goofy title and hook, this song rocks.

5. SCARVES
The chorus is corny, but when you hear the song as a whole, it actually works well with the beat, so I suppose it's a decent song. The beat will stick in your head for a while, at least.

6. BLIND PHOTOGRAPHY (FEAT JUNGLE BROWN)
This beat is the closest Short Eyes comes to containing what sounds like a Uptown Saturday Night outtake. I'm not sure why they decided to distort everyone's voice on here, but the end result makes you feel as if Camp Lo and Jungle Brown recorded their verses to completely different beats, and instead of getting the artists to re-record their verses, the production engineers just mashed the lyrics onto the beat, bootleg-style. Which may be closer to the truth than I think, considering that I've never actually read anywhere that Camp Lo acknowledge this EP's existence.

FINAL THOUGHTS: Short Eyes is a pretty good chaser after hearing Uptown Saturday Night, although it is four years too late. The beats aren't on the caliber of Ski's contributions to the debut, but they're okay in their own right. This didn't do much to keep Camp Lo's name in the spotlight (Japanese-only imports have a way of stopping that from happening), but it was followed later in 2001 by their real second album, Let's Do It Again, so no harm, no foul.

BUY OR BURN? There's no way I can recommend you buy this, since it's import-only, and not worth thirty bucks (what the fuck was Max in 2001 thinking? Did I have money to burn or something?). Burn this shit and enjoy it, unless you hated the debut, in which case this EP won't change your mind.

BEST TRACKS: "Army"; "Cybersex"; "Baby's Mother"; "Blind Photography"

-Max

RELATED POSTS:
Camp Lo - Uptown Saturday Night

April 9, 2007

Camp Lo - Uptown Saturday Night (January 28, 1997)


Camp Lo, a rap duo from the Bronx, may not have sold many albums, but they can at least pat themselves on the back for bringing sheer entertainment value back to hip hop, even if their blaxploitation dadaist slang makes them sound like two Ghostface Killahs tweaking on crystal meth.

Geechi Suede and Sonny Chiba teamed up with Jay-Z's old producer Ski to present Uptown Saturday Night, an unusually decent debut with beats that the Lo groove over, and yet you can't help but think that at least a couple of these were Jay-Z leftovers (and if anyone out there is ambitious enough to put Jay-Z acapellas over Camp Lo's better beats, I'd love to hear it).

1. KRYSTAL KARRINGTON
No 'rap album intro' bullshit here; they jump right in over a thundering beat that fits their style. I can't stress enough that their lyrical style is made up of a mixture of pop culture and blaxploitation references, so it's not the easiest to decipher, but it fucking sounds good.

2. LUCHINI A/K/A THIS IS IT
Still a fucking great track. Only God and Ski know why they don't make beats like this anymore.

3. PARK JOINT
Okay, I'll let this song pass, since the first two songs were so good.

4. B-SIDE TO HOLLYWOOD (FEAT TRUGOY THE DOVE)
Trugoy from De La Soul guests and produces here. One of the weaker contributions on the album.

5. KILLIN' EM SOFTLY
Killin' the momentum, is more like it.

6. SPARKLE
And picking it up slightly...

7. BLACK CONNECTION
...and we're back. Thanks for joining us.

8. SWING (FEAT ISH A/K/A BUTTERFLY)
First time I heard this song, it was at the tail end of the "Luchini" video, and it still sounds as good as it did back then.

9. ROCKIN' IT A/K/A SPANISH HARLEM
It's as if the Lo couldn't really decide on their song titles, so they went with the "either/or" approach. You'll see what I'm talking about in a bit.

10. SAY WORD
You're not the boss of me.

11. NEGRO LEAGUE (FEAT BONES AND KARACHI R.A.W.)
Seriously, otherwise no-name rappers have their own weed carriers on a track? Too funny for words.

12. NICKY BARNES A/K/A IT'S ALRIGHT
See? Told you.

13. BLACK NOSTALJACK A/K/A COME ON
Meh.

14. COOLIE HIGH
Their first single, first heard on the soundtrack to The Great White Hype. I can't believe this song actually got some burn on the radio, but I'm glad it did.

15. SPARKLE (MR. MIDNIGHT MIX)
Sounds exactly like you'd think it would.


FINAL THOUGHTS: Uptown Saturday Night is a pretty good debut from two young upstart rappers who never followed this up with anything of any importance, and yet they're still beloved by bloggers the world over. Don't let that dissuade you from giving this a listen, though, as most of it is very entertaining, if not very memorable.

BUY OR BURN? If you can find it anywhere, spend the two dollars and buy this. If you can't find it anywhere, then you're not looking hard enough.

BEST TRACKS: "Coolie High"; "Luchini A/K/A This Is It"; "Krystal Karrington"

-Max