The inaugural post is dedicated to the shit sandwich known as Foxy Brown's Ill Na Na. Somehow, based off of her features with artists such as Jay-Z and Nas, Inga Marchand (I know; I'd change my rap name to Foxy Brown, too) became known as the best female rapper. This is because she spent a lot of time talking about her tits and ass, and her expertise at fucking (she's rumored to have had relations with, interestingly enough, Jay-Z and Nas. Hmmm...), and everyone knows the average hip hop fan is a horny adolescent white male living in the suburbs.Somehow, this album sold a shitload of copies. As you can see from the album cover, this was due to two things. Granted, they do look nice, but airbrushing can do amazing things. Anyway, the only way I can accurately portray this Def Jam-presented mess is to compare it to a big-budget blockbuster movie that has forty-seven screenwriters, and no sense of direction. Speaking of movies, the best feature of this otherwise horrific album is the "Intro", on which Def Jam had the sheer balls to "preview" albums by better artists, like Cormega (of "Hey, I just got fired from 'The Firm'! You want fries with that?" fame) and Cru (a group that didn't sell very well, but had a Tribe Called Quest-esque sound, and one of their songs featured Slick Rick). I had never heard an album with musical sneak previews before this, so I always thought this was an interesting route to take.
The Trackmasters produced the bulk of this shit, but the term "produced" is used loosely, as one song is a straight jack of LL Cool J's "Rock The Bells". The first single, "Get You Home", features Blackstreet (back when they were still relevant), and it's your average radio-friendly pap that sounds decent enough, but an hour later you're still hungry. The features remain in the "WTF?" column: Method Man's cameo is godawful, and the obligatory Jay-Z appearance is a waste (although I'm sure he wrote most of the album, so good for you, Shawn!). The only actual song that I can recommend is "The Promise", produced by and featuring Havoc from Mobb Deep, as it is the only track here where Foxy's rhymes are remotely bearable, even though Havoc (who has never been known as the best rapper from his group) walks away with the track as if it were a stolen briefcase.
All in all, Ill Na Na is a complete waste of time. But that's what I'm here for; I listen to the shit so that you don't have to worry about it.
Till next blog,
-Max
