(One thing that's been
missing from HHID for a while now is a write-up for an actual classic
album, or at least something that most critics believe to be a
classic album. Standos attempts to rectify this by discussing Brand
Nubian's debut project, One For All. Leave your thoughts for Standos
in...well, you should know where comments go by now.)
Since Max doesn’t seem
to be hitting this one up in the near future (It's true, I'm not), I
thought I may as well tackle it. Brand Nubian are a hip hop group
based out of New Rochelle, New York, consisting of Grand Puba (the
undisputed leader of the group), Derek X (now known as Sadat X, also
known as the guy who sounds a shitload like Grand Puba to me), Lord
Jamar (the lesser known of the three emcees, although he’s just as
technically proficient) and DJ Alamo (I have no real opinion on him).
As noted by their choice of clothing on the cover of their debut
release, One For All, they were more-or-less satellite members of the
Native Tongues, wearing the same ridiculous garments as the likes of
the Jungle Brothers or A Tribe Called Quest during the early
nineties, as well as sharing similar rhyme content and sensibilities.
Brand Nubian are infamous for filling their rhymes with occasionally
controversial pro-black Five Percent Nation Of Gods and Earths
content, which I don’t understand much of since, you know, I’m
not a Five Percenter.
Brand Nubian was conceived
out of another hip hop group which emerged in the mid-1980s,
creatively named Masters of Ceremony, that allowed Grand Puba to
refine his production skills; they even released an album in 1988,
Dynamite, which almost nobody will admit to having ever listened to.
After the group disbanded, Puba joined up with Sadat, Jamar and Alamo
and released a demo that eventually caught the ear of acclaimed A&R
Dante Ross, who is best known for his work on legendary records such
as De La Soul's 3 Feet High and Rising. One For All was released by
Elektra Records in 1990, and the serious social commentary, funky and
well-constructed beats, and the lyrical chemistry between the three
leads helped Brand Nubian achieve critical acclaim and horrible sales
figures commercially, as is the case with most great hip hop albums.
I was introduced to Brand
Nubian not by this album, but by their 1998 reunion Foundation,
and slowly worked my way backwards to their debut. I remember
listening to it and deciding that I liked enough of the tracks to
justify my purchase, but I don't remember really listening to it a
second time, so it's been collecting dust on my desk since then.
Until now, I guess.
So anyway.
1. ALL FOR ONE
Skipping the usual rap
intro and going straight into what was the project's fifth single
works for me. Over a pretty awesome instrumental containing no less
than three James Brown samples, Puba, Sadat and Jamar go for one
verse each on a track that I would have thought to be their biggest
hit from the record (as did Puba himself, apparently). Regardless,
this song is a classic, and it also helps that all three members
manage to rip shit the fuck up. Need I say more?
2. FEELS SO GOOD
There’s a lot of ways
you could follow up “All For One”, but this is one of the
weakest. I just could not get into this one, sorry. I tried.
3. CONCERTO IN X MINOR
After a really unnecessary
speech with an irritating accent, “Brother” Derek X (who I will
now refer to Sadat X because shut up) goes for broke over an
instrumental that seems funky enough, but also kind of corny at the
same time. The constant samples that interrupt his verses can disrupt
the listening experience, but this wasn’t too bad. It was at least
better than Xzibit’s “Symphony in X Minor”, in that it doesn’t
contain a chorus that makes you want to castrate yourself.
4. RAGTIME
Perhaps realizing that he
needed to take a break, Puba hands the production reins over to Skeff
Anselm (who worked with A Tribe Called Quest on The Low End Theory)
and, in return, gets a pretty hot beat out of the deal, one which
uses The Gap Band’s “Tommy’s Groove” to great effect. The
lyrics are also on point (especially Grand Puba's), even though much
of Lord Jamar’s verse is utter gibberish to me.
5. TO THE RIGHT
Puba takes back production
duties and almost straight-up uses James Brown’s “Funky
President” for the instrumental. Since “Funky President” is
still my shit, I didn't have any issues with it. All three emcees
sound completely comfortable over the beat, with Puba boasting for
what’s probably the eightieth time about his conquest of many, many
skins. I also love it when Sadat claims he traded his boss in for a
horse, then simply states “It died, I made glue, it’s no loss”,
something I find hilariously random and educational.
6. DANCE TO MY MINISTRY
Lord Jamar’s solo
venture, which features the most fast-paced instrumental so far by
Puba. It sounds alright, but I can’t help but feel that Jamar isn’t
the best emcee for the beat, resulting in him sounding uncomfortable.
There's also a seemingly endless stream of shout-outs attached to the
end.
7. DROP THE BOMB
I remember always
comparing this song to “To The Right”, as they keep the same
tempo and both essentially reuse their original sample source for
their instrumental (in this case, Kool & The Gang’s “Jungle
Jazz”). I couldn’t really get into Lord Jamar’s opening verse,
but Sadat and Puba manage to bring up the rear (Puba’s verse stands
out only because of his threat to drop his bomb on the “colored
man”). So this was two-thirds listenable for me, which isn't good
enough.
8. WAKE UP (STIMULATED
DUMMIES MIX)
The first Grand Puba solo
tip, produced by Dante Ross’ production group The Stimulated
Dummies, which I must admit is a pretty kickass name. The original
version of this song appears later on in the album, which makes
absolutely no sense to me but apparently is some sort of ongoing
trend (see: Blahzay Blahzay’s “Danger”, Kanye West’s
“Diamonds From Sierra Leone”, etc.). Anyway, this was the third
single off of One For All, and it’s alright, but I find the
original mix to be much better. The shout-outs at the end, as well as
the sounds of Puba attempting to imitate an Asian language, are
extremely unnecessary, though.
9. STEP TO THE REAR
Another Puba solo joint,
which fares a little bit better than the last song, thanks to its
good use of “Plantation Inn” by the Mar-Keys within the
Stimulated Dummies beat. Puba informs the listeners to, well, step to
the rear as he tears through his verses with ease. The instrumental
could have been a bit more engaging, and Puba really didn’t need to
shout-out his own group members for the second time, but this was
otherwise entertaining.
10. SLOW DOWN
Probably the one song that
Brand Nubian will be remembered for, or at least their biggest hit.
The vocal sample (taken from Edie Brickell & the New Bohemian's
“What I Am”, which also provided the source material for the
instrumental) is surprisingly unobtrusive, and Puba’s beat (or
Sadat’s, depending on who you ask), compliments the lyrics nicely,
which revolve around the three members telling hos to “Slow Down”,
obviously. Once again, Puba takes the trophy for best verse, with
lyrics that grow increasingly misogynistic as his verse goes on,
making you wonder if all those skins he gets are taken by skill or by
force. However, Sadat and Jamar don’t fall far behind; I remember
liking “All For One” better than this song and I still do, but
this was still enjoyable, to say the least. It also helps that you
could play this song today and it would still be entirely relevant.
(Note: Pete Rock also produced a remix of this which, I shit you not,
has the exact same instrumental over a harder drum beat. Which means
that although it is entirely unnecessary, it isn’t actually that
bad).
11. TRY TO DO ME
What the fuck was this
shit? Puba’s third solo joint is a obnoxious mess, mainly because
the beat is dated as shit. Then again, that’s what happens when you
get fucking Dave “Jam” Hall to produce a hip hop song for you.
Skip.
12. WHO CAN GET BUSY LIKE
THIS MAN…
Meh.
13. GRAND PUBA, POSITIVE
AND L.G. (FEAT. POSITIVE K)
Probably the most creative
title in hip-hop history. The L.G. in the song title, for those of
you paying attention, belongs to the producer and DJ of the track,
who apparently was the official Zulu Nation DJ for Afrika Bambaataa,
meaning that Brand Nubian was probably conceived on his dick.
Positive K’s appearance here was probably in return for Puba’s
production credit on K’s 1988 hit “Step Up Front”, which I
can’t really say I’ve ever listened to. Oh, this song? It’s
alright, but anything I tried to remember about it instantly
evaporated the moment the song ended. So that happened.
14. BRAND NUBIAN
Otherwise known as the
Brand Nubian song in Grand Theft Auto: San Andreas (at least, that’s
where I first heard it). If I’m not mistaken, this was the actually
first single released from One For All, although everyone skips over
both this and the shitty “Feels So Good” to jump straight to
“Wake Up”. This song is actually pretty damn engaging: the beat
seems tailored for Brand Nubian, so much so that you can’t imagine
any other group rocking over it, which is always a good thing. The
constant repetition of the group name throughout the song can be
annoying, but the three emcees sound so good that I really can’t
complain. (Note: this song only appears on the compact disc and digital download versions of One For All.)
15. WAKE UP (REPRISE IN
THE SUNSHINE)
Basically the same track
as the reworked “Wake Up”, albeit with a much better beat
(rocking the same vocal sample as Common’s “Book Of Life”) that
you can actually picture yourself waking up to every morning. You’d
think that a song with “Reprise” in its title implies that it is
actually the remix, but no, you’d be wrong. Really nothing more to
say that I haven’t already said earlier.
16. DEDICATION
I counted about five times
where a list of shoutouts commenced so this isn't required listening
at all. Puba simply runs down a list of his favorite artists at the
time, all before rhyming about his usual topics over a really dull
beat. Nothing to see here.
FINAL THOUGHTS: Brand
Nubian's One For All presents the listeners with what is apparently
textbook “golden age hip hop”: James Brown samples, breakbeats,
the whole nine yards. It also gives us a glimpse into the white
devil-filled, militant worldview of Brand Nubian; a world which,
admittedly, I wouldn’t enjoy living in, but would perhaps visiting
from time to time. Quite a bit of One For All doesn’t hold up
today, either because the instrumentals blend into each other or
because they just straight up suck. Grand Puba, Sadat X and Lord
Jamar never really falter behind the mic, though, which is obviously a very
good trait to have in your rap crew. Sadly, Brand Nubian would end up
pulling a Geto Boys-type situation, one where the group roster came
equipped with a revolving door, as Grand Puba left to record his solo
album and DJ Alamo was swapped out for DJ Sincere (who contributed to "Wake Up (Reprise In The Sunshine)"). However, similar
to what happened with the actual Geto Boys, the four original members
would eventually reunite in 1998, for an album I’m hoping someone
else will discuss at a later date, as I kind of misplaced my copy of
Foundation.
BUY OR BURN? Sure. Just
expect to hit “skip” a few times and you’ll be good.
BEST TRACKS: “All For
One”; “Slow Down”; “Ragtime”; “Wake Up (Reprise In The
Sunshine)”; “To The Right”
-Standos
(Questions? Comments?
Concerns? Leave your thoughts below.)
I also got into Brand Nubian through Foundation, and i would recommend that to a first time listener over this. Review was good, although i can't say i agree or disagree cuz ill be damned if i remember anything from this album. (again: listen to Foundation first) And even after listening to quite a few of their songs, i still struggle sometimes with telling Puba and Sadat X apart.
ReplyDeleteA large part of me hates Brand Nubian solely because they're so goddamn homophobic. They do offer more of that Native Tongues sound, but I never found their pseudo-intellectual work to be essential.
ReplyDeleteYup, the Nation of Islam can suck a big fucking dick
DeleteQuite possibly the most extreme reaction to a Reader Review I've ever seen. Congratulations! A TON of people are going to hate you now.
Delete@Michael So do you hate Eminem, Kool G Rap, Pimp C and the other million artist that are homophobic? You might be too sensitive for Hip-Hop. Theres no rules to this shit dude. Fuck censorship! Maybe you should listen to another genre man
DeleteI never in my life have advocated censorship, so I have no idea what you are tying to get across.
DeleteAnyway, it's funny you chose those three other artists as examples, cus I don't like a single one of them. Not based off of their personal views, their styles are just not for me.
The notion that I am "too sensitive" for hip-hop is juvenile and absurd. A time will come in your life that the misogyny and homophobia in hip-hop will finally get to you. It sure as hell has for me. I fuckin love Ghostface, but I cringe whenever I hear him say "faggot." In regard to Brand Nubian, they seem to take a particularly nasty view against homosexuality, and, yes, it does offend me. Lord Jamar's backwards and regressive diss song towards Kanye West released a few months ago may make you understand more of where I'm coming from.
I'm sick of hip-hop fans calling for silence and complacency. If something offends me, then you bet I'm going to fucking speak out against it. Don't even get me started on misogyny.
Once again man people are too sensitive these days. If you don't like it then don't listen. Is it really that hard? Not to mention every review you comment on its all something negative. I know this blog is for Hip-Hop elitist, but at the same time its plenty of bias going on. hip-Hop or any other genre doesn't offend me at all, its just entertainment, nothing more nothing less.I'm tired of NON Hip-Hop fans always complaining about the shit they know nothing about. YOU choose to listen to that, nobody forced you. Go listen to another genre dude. Its not that serious, its just music. Listen to real Hip-Hop like Brother Ali, Arm of the pharaohs, etc..Not that mainstream crap! Underground rules!I'm done responding.
DeleteEvey body clap it up for anonymous, you can always tell when someone is trying too hard to be funny!
Delete"A time will come in your life that the misogyny and homophobia in hip-hop will finally get to you. It sure as hell has for me."
DeleteAwesome. Whoever hates you because of this is a moron
Yeah that Lord Jamar track against Kanye pissed me the hell off when it dropped.
DeleteIt's interesting what people choose to get offended about.
DeleteCase in point, I remember this album well and it's full of racism and sexism. Don't remember any homophobia, Im sure there was some but it doesnt equal the amount of times they refer to whitey as the devil. What this album is NOT full of is the genocidal black on black violence that seems to be so entertaining and non-offensive to so many. Of course Wutang and so many other greats spout the same pseudointellectual religious rhetoric but I guess it seems more interesting and less offensive because theyre talking about cocaine and guns, instead of trying to pass themselves off as actually giving a damn about their communities. But as one poster pointed out the problack shit doesnt get much love around here. Just say you dont like it instead of trying to offer some PC political BS reason. Funky ass album by the way, a few good songs and its political notions are mostly positive when understood IN CONTEXT.
Brand Nubian is not a big thing for me, they got some nice tracks but there is lots of other better fish in hip-hop sea. Anyway it's better to be homophobic than homosexual.
Deletewut
Delete@ Michael May -
DeleteNo; the Lord Jamar diss toward Kanye doesn't make me understand where you're coming from. Lord Jamar dissed Kanye because Kanye is encouraging males TO WEAR DRESSES. It's one thing to be a homosexual; it's another thing to dress like a freaking woman. If you're pissed at Lord Jamar because he prefers men not to dress like females, then you've got much bigger issues than the people you criticize.
"Anyway it's better to be homophobic than homosexual."
Delete"Kanye is encouraging males TO WEAR DRESSES. It's one thing to be a homosexual; it's another thing to dress like a freaking woman. If you're pissed at Lord Jamar because he prefers men not to dress like females, then you've got much bigger issues than the people you criticize."
you people are fucking dickheads, seriously
dope album - buy buy buy
ReplyDeleteGood review man, I agree with the strengths and weaknesses you explained.
ReplyDeleteI can't listen to the whole album but the good stuff is great.
Max, when the fuck you gonna get to the new Cappa album, EYRTH WYND AND FYRE .. yes, that's the actual title. Get this -- it's a double disc, with 28 tracks (!).
ReplyDeleteLATER this year, the pillage 2. And this new album is only 6 months after his disc "THE PILGRIMMAGE". CAPPA'S BACK!!!!!!!!!!
...hah
It's going to be a while, but I haven't completely forgotten about Cappadonna.
DeleteOr you could review something that could actually use some exposure/isn't a complete waste of fucking time, like the Freestyle Fellowship
DeleteI can understand how people who aren't Black might not like groups like Public Enemy, Dead Prez, Brand Nubian and other Pro-Black groups/mcs. Like I always tell people, everything aint for everybody.
ReplyDeleteYour review is OK.
ReplyDeleteI can't say that this is a classic album. It's more an old album, which was not that energetic even when it dropped. These guys wore some clothes and colors from the "Free Africa" era, whoch ended in the late '80s.
I also can't understand your posiion on this. It looks that you don't feel half of the album and at the end you recommend a buy...
My opinion on this album is that is was weak and Brand Nubian tried to be an alternative to Public Enemy and BDP, without success though. Almost everything is boring and if you imagine that it was released in a time, where rap music began to be full creative in inventing new sounds and styles, Brand Nubian did a step back with this effort.
i wasn't feeling at the most, 5 or so songs on the album which is why i recommended a buy at the very end of the review. Thanks for reading!
DeleteI can accept homophobia from any old Gangster rapper due to the ignorant and over the top way in which it is delivered. however Brand Nubian seem like a bunch of real smart fellas, and when they preach hatred for the gay man, it sort of ruins the whole listening experience for me.
ReplyDeleteBefore you bother with Cappas double disc disaster, well not disaster but it definitely didn't warrant two fucking discs, I recommend you listen to and review Killah Priests double disc the Psychic World Of Walter Reed.
I been thinking Max, you don't seem to have any plans to review Ice T do you. So I might as well write a review my self?
Send your request/ideas to my e-mail (in the sidebar) and we'll talk further.
DeleteWell put. Relatively smart and educated dudes condoning bigotry and hatred. I can't fucking stand that.
DeleteI second this - the man's name is Tracey, I just KNOW you wanna comment on that
DeleteAgreed. I don't really care that much when a rapper endorses views I don't support, but it's that Brand Nubian are so fucking preachy about it. It's sort of the same issue I have with Jeru: They spend so much time hammering home the same idiotic philosophies and making it the focus of the music, it becomes impossible to ignore it. And they're so fucking self important about it (Jeru's even worse), as though this completely half-assed shit they espouse were divine knowledge and not the ramblings of some gullible morons.
DeleteAlso most of the beats/rhyming/songs don't hold up. Slow Down is great though, and I actually really like Who Can Get Busy...
This album was highly revered when it came out, cause the mc-ing was next level at that time. Ofcourse one might not agree with the rhetorics displayed here and truth be told, some of the album doesn't hold up now (mind you, it's been almost 23 years since this was released), but still I truly feel that 75% here is awesome... Dope beats, really good rhymes, still funky as a mutha.... Album stays recommended in my opinion.
ReplyDeleteI'd just like to give my opinion in regards to this whole homophobia thing since i'm pretty intrigued as to the amount of people that actually dislike this album. i'm not criticising anyone's point of view and i'm completely against both homophobia and misogyny but i dont think its that big of a deal mainly because of the era that this was released. Remember that this was in the early 90's, when people were calling magic johnson gay simply because he contracted HIV. There was a shitload of homophobia back in the day and i guess brand nubian just got caught up with it, along with many other rap artists from that time. Now if they had said this shit in 2013, it'd be a different story as you can see with tyler the creator, who spits offensive shit just to seek attention, even though one of the guys in his own crew once loved a guy apparently. so there's my point of view
ReplyDeletei see what you're saying, and you are right with the time periods, but if people are offended by something, there going to be offended regardless of when the album came out. Also doesn't help Brand Nubian's case when Lord Jamar released a song dissing Kanye because of his clothes.
DeleteFirst heard Brand Nubian on GTA? Lmao....Young nerds.smh.
ReplyDeletethis album is a fucking classic. In other matters, almost everyone nowadays has the very wrong idea about homosexuality these days. I'd rather not elaborate.
ReplyDeleteI don't condone displays of hate in any way, shape or form but I have to ask: You people can't seriously say that homophobia equals misogyny, can you? Homosexuality is a fucking choice, gender is not. The End.
ReplyDeleteThe big difference between racial hate crimes and homophobic ones is that race doesn't offer you a choice, while sexual preference is exactly that, a preferance. Neither should be taken lightly of course, as I believe it's wrong to commit a crime against another human being simply because of their choices in life.
ReplyDelete