Before I vanished for a still-undetermined period of time, I received a request to review Junior M.A.F.I.A.'s debut album Conspiracy, a request fully based around the idea of "well, you wrote up all of Biggie's other albums...". I responded with some horseshit about how I needed to do something first before I could get to The Notorious B.I.G.'s weed carriers featuring Lil' Kim. But the reason why I waited so long for the M.A.F.I.A. was because I had wanted to write up 2Pac's group Thug Life around the same time. I figured that the two subjects would complement each other or something. That didn't work out as well as I had hoped, but you're still reading this, so that's something.
Why Thug Life and not Tha Outlawz, I imagine you just asked out loud to your computer screen? Well, Biggie Smalls wasn't credited as a guest on Conspiracy because he considered himself an actual member of the group. 2Pac may have worked with Tha Outlawz and played a large role in molding them into whatever the fuck they became, but he was never a part of the actual crew, unlike Thug Life, where he was a card-carrying member, even though the collective for the span of a single album (regardless of the fact that their lone project was optimistically titled Thug Life: Volume 1).
Aside from Tupac Shakur, Thug Life (which was not named after the man's infamous tattoo, regardless of what you've heard otherwise) consisted of his friends Big Syke, Macadoshis, Rated R, and his stepbrother Mopreme Shakur, most of whom he would continually work alongside throughout the rest of his short career. They recorded their debut, Thug Life: Volume 1, in late 1993 through a good chunk of 1994, a time period in which Shakur was still trying to find his way in our chosen genre, making the mistakes that people tend to make when they're presented with an appealing lifestyle that they can't fully comprehend because they live in an awed detachment of it. Pac was fantastic at taking the stories of those around him and presenting them to his audience in a way that resonated with you, but when it came to actually living that life, his luck wasn't so great: Thug Life was formed shortly after he was first charged with sexual assault (which he was eventually handed a prison sentence for) and before he was shot in an armed robbery that, it just so happens, kinda-sorta was solved just this past week.
The version of Thug Life: Volume 1 that eventually hit store shelves wasn't what Pac and his collaborators envisioned when they first hooked up: their record label, Interscope, grew wary of some of their more controversial material and left it on the cutting room floor, leaving us with a project that consists of only ten songs, a remarkable show of restraint in our chosen genre. Thug Life: Volume 1 contains no skits, interludes, or rap album intro: instead, its ten songs force the listener to jump right into the hearts and minds of its creators, and they could give a damn if you can't keep up with what's going on at any given point.
Thug Life kind of petered out shortly after 2Pac's incarceration, although, as I mentioned above, most of the crew members would continue to work alongside Shakur when he made the move to Death Row Records. The project tends to be dismissed today as a 2Pac solo effort, but although he does appear on the majority of the songs (again, without a "guest star" credit), and although he tends to walk away with the spotlight at any given opportunity (as he was wont to do, even as a hologram), this is most certainly a group effort, one that flies under the radar of today's rap music fans, especially those who believe that 2Pac was speaking directly to them even though he was killed before they were even born.
But I digress.
1.
BURY ME A G (FEAT. NATASHA WALKER OF Y.N.V.)
Appropriately,
Thug Life: Volume 1 kicks off with a full-on posse cut, although Pac
is the only guy to receive a full verse (actually, he gets two of
them to himself). Thug Music's beat sounds pretty interesting when
it's made up of only drums at the very beginning: when the
overly-familiar Isley Brothers sample from “For The Love Of You
(Part 1 & 2)” kicks in, the song loses a bit of its luster.
One doesn't look to 2Pac songs for coherence, and “Bury Me A G”
is no exception: only his opening salvo has anything to do with the
track's title. Hell, his hook, while catchy, doesn't make much
fucking sense. Mopreme, Rated R, Big Syke, and Macadoshis all sound
okay-to-middling, but they're all buried by the headliner, as none of
them sound very relaxed over the production work. Weird.
2.
DON'T GET IT TWISTED
This
song was fascinating, though. Without Pac's influence hanging over
them like a poorly-installed fluorescent light fixture that's a
lawsuit just waiting to happen, Mopreme, Rated R, and Macadoshis all
spit admirably (if not effortlessly) over the dark beat (provided by
Jay and Mopreme himself), one which suggests Cypress Hill by way of
Da Beatminerz, and yes, it sounds just as good as that description
reads. Hell, you're forgiven if you mistake Mopreme's opening verse
for one from Sen Dog (although a collaboration of that nature could
have pulled the crew a bit more publicity back in 1994). The three
rappers all sound empowered on this East Coast-ish throwback, and
their taunts and threats still resonate well enough today, resulting
in one of the best tracks on all of Thug Life: Volume 1. It's good
that Thug Life got that whole “but would they be nearly as
successful without Pac's help?” thing out of the way early on.
Nice!
3.
SHIT DON'T STOP (FEAT. Y.N.V.)
The
production shifts firmly back to the West once 2Pac returns from his
errand, and once again, he's the only guy that gets a full verse to
himself. That's kind of weird: how in the fuck are the rest of these
guys supposed to build their brand when they aren't even allowed to
speak for more than eight bars at a time? No wonder Thug Life never
managed to release a second album (well, that, and the more obvious
reason, of course). Thug Music's beat sounds lazy and generic, but
every actual rapper on here does what they can with it, with
strangely similar results: no one man stands out (nope, not even
2Pac), and the listener never fully understands what the “shit”
is that refuses to “stop”, but nobody outright shits the bed,
either. Except for guest crooners Y.N.V. on the hook, though: they
sound so fucking terrible that all microphones around the world
should take out restraining orders against them immediately.
4.
POUR OUT A LIL' LIQUOR
This
song is credited to Thug Life but features only 2Pac, the same way it
was labeled when it first appeared on Death Row's soundtrack for
Above The Rim, a flick Pac also appeared in. I enjoyed the late
Johnny “J”'s bluesy beat and Pac's verses back in 1994, and both
still hold up remarkably well today, possibly because our host
uncharacteristically stays on topic for nearly the entire length of
the track. I remember being excited when “Pour Out A Lil' Liquor”
was released as a single to the radio, hearing the familiar notes at
the beginning and then laughing my ass off as Pac declared what was
playing to be “the radio version” before launching into his
now-family friendly verses: I just found it funny that any rapper
would blatantly acknowledge that their song was censored on the
actual song itself.
5.
STAY TRUE (FEAT. STRETCH)
Unsurprisingly,
Pac dominates this song as well, handling the bookend verses, the
hook, and the craft services, but even though the other rappers
involved (guest star Stretch, from the Live Squad, and only Mopreme
from Thug Life, as everyone else had to take a collective shit or
something) barely get any screen time. I did like the playful,
old-school way Pac introduced both of them on the track, though.
Thug Music's beat was alright: not what I would have chosen for a
song about staying true to Thug Life, but whatever. On a morbid side
note, Mopreme is the only (vocal) participant on “Stay True” who
is still alive today, and it's more than a bit awkward to hear
Stretch and 2Pac on the same song (given the rumors,
perpetuated by Pac himself, that Stretch actually set up that
infamous robbery-slash-shooting in New York, let alone Stretch's own
execution-style (and possibly retaliatory) murder).
6.
HOW LONG WILL THEY MOURN ME (FEAT. NATE DOGG)
I
feel like an insensitive dick writing this, since “How Long Will
They Mourn Me” (which was released to radio, I believe, which makes
perfect sense, given the guest star who appears on the hook) is
dedicated to Thug Life's fallen comrade Kato, but this song doesn't
make any goddamn sense. The non-2Pac lyrics are all about how much
they miss their friend and how they promise to continue supporting
Kato's family in his absence, while Pac's contribution seems to
consist solely of catchphrases, but the title of the track itself
seems to ask the question of how long each individual member of Thug
Life will be mourned, not Kato. Nice sentiment, failed execution.
The Warren G. / Nate Dogg beat (I know, I was shocked that Nate is
credited as a co-producer, too) was weak as shit, and the mix was
terrible: you can barely hear the late crooner on the hook. This
song doesn't even work as a proper dedication. See, I told you I was
going to come off sounding like a dick.
7.
UNDER PRESSURE (FEAT. STRETCH)
This
track wasn't bad at all, though. 2Pac abandons his Thug Life cronies
in favor of his boy (at the time) Stretch, but both rappers rock over
this harder-than-expected Thug Music instrumental that sounds like a
goddamn breath of motherfucking fresh air after that abortion that
was “How Long Will They Mourn Me”. Pac and Stretch try to sound
as menacing as possible, which the cold beat helps with immensely,
and everything mostly works. I would have personally chopped the
last minute off of the song, since the hook is repeated no fewer than
ninety-three times, but otherwise, I kind of dug this.
8.
STREET FAME
2Pac
doesn't even clock in for work on this one, which is for the best:
I'm fascinated by the idea that Thug Life managed to secure the
album's two best instrumentals when their de facto leader had
fuck-all to do with the selection process. The fact that those beats
were so New York that they would avoid Times Square on New Year's Eve
also should be noted. Anyway, the lyrics from Mopreme, Rated R, and
Big Syke aren't anything special, but they sound fantastic over
Stretch's dark beats, one which some enterprising young mixtape
rapper should promptly steal (if that hasn't happened by the time
this sentence is completed). This was the tits.
9.
CRADLE TO THE GRAVE
The
chorus on here almost fucks the entire song up. True fact. It
sounds so fucking amateurish that it wouldn't even make it past the
audition portion of a high school talent show. But Moe-Z's beat
sounds smooth as shit (especially with the sly Quincy Jones “Theme
from Ironside” sample hidden within – you half-expect The Bride
to be standing behind you with her sword drawn), and Mopreme, Rated
R, Big Syke, and Macadoshis all stay on topic with verses that are
naturally bleak (given the subject matter) but heartfelt: you get the
idea that these guys blew all of their serious lyrics on “Cradle To
The Grave”, which left nothing else but boasts and bullshit for the
remainder of Thug Life: Volume 1. But this track still holds up well
enough today, even with the godawful chorus, so I'm not complaining
(much).
10.
STR8 BALLIN'
Thug Life: Volume 1 ends with a 2Pac solo shot that sounds out of place:
Easy Mo Bee's beat may have been more at home on the Pac album that
Thug Life: Volume 1 secretly wishes itself to be. Since this album
was supposed to be a group effort, after all, allow me a criticism
that most people don't expect to hear when Shakur is brought up in
discussion: the rest of the members of Thug Life are sorely missed.
Obviously 2Pac can carry a song all by his damn self, and he does
just that on here as well as he always has, but one can only imagine
what “Str8 Ballin'” could have been, had all of the other members
also been allowed into the building to discuss how the principles of
ballin' affect their own lives. Oh well.
FINAL
THOUGHTS? Although the version of Thug Life: Volume 1 is much, much
different than how 2Pac had envisioned it, the project has held up
much better than I had anticipated. At ten tracks, it's the perfect length for discerning listeners who don't wish to commit too much of their time to gangsta rap, and for my short attention span, it's...ooh, look, a blue car! Pac and his cronies all sound mostly serviceable on here, with no man standing out more than the rest aside from the obvious star attraction, who really seemed to try his best to dial down his antics (but to no avail, of course). The backing music trends from "fantastic" to "what the fuck was that?", which seems like a fairly wide range of opinions, but I actually didn't mind it all that much, and the limited number of outside collaborators shifts the focus directly to Thug Life. Conspiracy may have been more polished (it was fashioned after a Puff Daddy-era project, after all), but 2Pac and Thug Life had no such misgivings about what they were trying to do with Thug Life: Volume 1: it's a pity that we'll never truly be able to hear what Pac was really going for on here, since the original cut of the album was never finished. So that bootleg floating around online? Claiming to be the actual unreleased Thug Life album? Until the hologram tells me otherwise (I'm having lunch with him next week; he has some notes for me regarding the blog), I remain skeptical. Still...
BUY
OR BURN? ...I actually recommend that you pick this one up. It isn't
perfect, but it's short, and the pluses greatly outweigh the many
minuses on here.
BEST
TRACKS: “Don't Get It Twisted”; “Street Fame”; “Pour Out A
Lil' Liquor”; “Under Pressure”; “Cradle To The Grave”
-Max
RELATED
POSTS:
There's more 2Pac reviews to be found by clicking here. But you had best
be wearing your argument hat, because it gets pretty messy.
So, the theme is rap legend's weed carriers? Hm. I love Stay True, though. Still one of my favorite Pac songs.
ReplyDeleteNo themes this time. I just wanted to run the reviews from both Biggie and Pac's respective group ventures relatively close to one another.
DeleteDamn, I was just about to write a review for this... now it seems like it would pointless.
ReplyDeleteAnyway, I agree that some of the songs here sound a bit silly and dated, but I really enjoyed this album. Pour Out A Little Liquor sounds really great and Under Pressure scares the shit out of me (in a good way).
I really liked Str8 Ballin; Easy Mo Bee and 2Pac mix extraordinarily well.
Oh yeah, it's great to read another review from you! You are sorely missed.
And the Ironside sample is as brilliantly used on Cradle to the Grave as it was on Murder Rap. It was CttG that made me fall in love with 2Pac actually.
ReplyDeleteExcellent review.
ReplyDeleteNice review Max. Kinda random but I'm just curious about what are your thoughts on the Man with the Iron Fist trailer?
ReplyDeleteI actually haven't watched it yet. I'll have to get back to you.
DeleteAwesome review Max. Hope to see these reviews pop up more constantly, but you're a busy man, we understand. I was suprised that you hated how long will they mourn me as much as you did, but still, great review.
ReplyDeleteWelcome back!
Very good review - best I've read in some time. Just the right balance between respect and idolatry for Pac. My only quibble is the sense that he can't stay on topic. On this album I definitely agree, but on pretty much every other album, I genuinely can't think of a rapper who is more thematically focussed, from Brenda, through Papaz Song, to Wonder why they call you Bitch, to Me and my Girlfriend.
ReplyDeleteAll love though, great review.
are you going to review 7 day theory? i'm really interested in hearing your opinion on that album and im sure alot of other people are too
ReplyDeleteYeah, it'll happen. No timetable yet, though.
Deletethuglife-
ReplyDeleteThe
Hate
U
Give
Little
Infants
Fucks
Everybody
That OG, "out on bail" was too hard for interscope. If you seen the source awards performance, there's a infamous on how Pac stormed the stage before Tribe was to be on. You actually see them at the side right before Pac exits the stage.
http://www.youtube.com/watch?v=GChOnQ8Veqs&feature=related
btw, "Thug Life" isn't listed on the right list yet, or under 2pac. Much obliged, sir
You're right; the new Blogger takes some getting used to. The labels have been updated.
DeleteKool G Rap 4,5,6 - please review it have you ever heard it? You wont be disappointed either that or you'll hate it either way i'd like to hear your opinion
ReplyDeletethis dude hates everything
Delete...he says on a write-up where I happened to like the album. You really should practice at this first.
DeleteThanks for reading!
4 dope tracks: How long will they mourn me, bury me a g, str8 ballin, cradle to the grave. Worth the purchase on the strength of those cuts alone. Might find some others that you like along the way. Rare Pac group album. Swoop it.
ReplyDeleteI like how Max always adds a: "Thanks for reading!" to piss off his haters. Brilliant.
ReplyDeleteCheck out that g rap album (4,5,6) that guy really stepped up his game lyrically compared to his work with polo. It's a really short album in the same vein as illmatic, listening to the album it becomes apparent why russel simmons thought young nasir jones sounded too much like g rap and subsequently did not sign him to def jam pre- illmatic (even though 4 5 6 came out a year later) did you know that bit of rap trivia max?
ReplyDeleteI'm loving this new system.
ReplyDeleteLove the throwback! I couldn't find your contact info anywhere hit me up when you get this on my email PhreeSocietyMusic@yahoo.com
ReplyDeletesomeone is really on g raps ***
ReplyDelete^^ the 2 posts a month system? Max think about the greater good there are people itching for new reviews
ReplyDeleteComing out of hiding. Almost dead on review. Not to many artist could show a soft side and portray a thug image in 1994 I was eight and only reason I could speak on this, my older brothers played them all the time. Im one of the few in my generation to have bought them on cassette. I'm still mastering my craft but have you heard of Jenn-Jenn? Stay Fresh Mad Max!
ReplyDeleteHave not been here in a looooong while but I just chose to come back now to see what you've been up to. Apparently, not much in this site.
ReplyDeleteNow on to this album, I like it, some good cuts and some straight classics.
Bury Me a G, Pour Out a Little Liquor and Str8 Ballin' are some of my favorite Pac songs ever.
YOu nitpick to the point of absurdity... Seriously..... I can't take your reviews seriously
ReplyDeleteThanks for not quite getting the point of the blog!
Deleteu hate pac, wt ur maliciuos criticism.
ReplyDelete