(So while
you two hold your breath wondering just how long it will take for Max
to get to Life Is Good (let me spoil the surprise: I don't intend on
the wait lasting for much longer), let's bring back the Reader
Reviews with Taylor's take on the solo debut of The Lox's Jadakiss,
Kiss Tha Game Goodbye, one of those albums that fell by the wayside
during my hiatus (or refocus-ining, if we're into using words that
aren't really words). Leave your notes for him below.)
Jadakiss
is a name that many hip hop heads have heard before, both as
one of the three rappers in the group The Lox (or The LOX, depending
on your preference) and as an artist with a mixtape career which is,
ironically, more successful then his actual solo career.
Before any of
that happened, though, Jason Phillips was a hungry battle rapper who
rhymed his ass off. His hard work resulted in an invitation to
a rap battle competition in Florida, where he met the two guys behind
Ruff Ryders (which was more of a movement than a label in those
days). Shortly thereafter (and in rapid succession), he co-founded
The Lox in 1994 (under the
name “The Warlocks”) with fellow Yonkers natives Sheek Louch and
Styles P, got signed to Puff Daddy's Bad Boy Records (thanks to an
assist from fellow Yonkers native Mary J. Blige), split from Bad Boy
Records after dropping one album (Money, Power, & Respect) due to
massive creative differences, signed to Interscope, and dropped a
sophomore group effort entitled We Are The Streets (nearly all of it
was produced by fellow Ruff Ryder Swizz Beatz). The rest, as they
say, is history.
Let me cop to
the slightly lazy recapping of The Lox's history up to this point.
In case you couldn't tell, I am not much of a Lox fanatic (or
historian, for that matter), but I did buy Kiss Tha Game Goodbye, the
debut solo album from Jadakiss, based on curiosity alone. Kiss has
one of the most distinctive voices of all time, and he does know his
way around the hip hop kettle (also, he did sound pretty good on the
majority of We Are The Streets), which is probably why he was the
first of the trio to land a solo deal. Repeated
listening to the Alchemist-produced single “We're Gonna to Make It”
furthered that belief.
Of course,
that was my opinion before I, you know, actually listened to the
album. After it hit store shelves, interest in Kiss tapered off;
even with his choice of A-list producers (Kiss somehow scored beats
from DJ Premier, Timbaland, Just Blaze, and The Neptunes, in addition
to the aforementioned Alchemist and the at-the-time-ubiquitous Swizz
Beatz), nobody really wanted to hear the man rhyming by himself. I
remember an interview shortly after Kiss Tha Game Goodbye dropped
where Jadakiss blamed the quality of the project on some sore of
contractual obligation Puff Daddy forced him into during The Lox's
short tenure on Bad Boy.
Considering
the fact that Kiss Tha Game Goodbye was released without any apparent Bad Boy involvement (aside from a guest and some production work), I wonder just how true this claim is.
1. INTRO
This is
somehow more pretentious than
the usual rap album intros.
2. JADA'S GOT A GUN (FEAT. E. MCCAINE & ANTOINE STANTON)
Ooohhh,
Jada's got a gun. I'm soooo scared.
I'm currently pissing myself in fear as I'm listening to this song.
Why didn't I just turn it off, you ask? Just so I could make it
crystal clear to those reading that this
song sucks.
3. SHOW
DISCIPLINE (FEAT. NAS)
Jadakiss and
Nas (hey, look, there he is!) seem like they should be a versatile,
volatile combination, but that doesn't come to fruition here (or
ever, really); while Jadakiss is more than capable of holding his
own, he never really sounds confident enough over this Mahogany
concoction, one which isn't as menacing
as it could have been. As for our guest, Nas manages to best Jadakiss
without even really trying, feeling more at home then our own host.
Perhaps had this been a Nas song with a Jadakiss cameo, I may have
liked this one more, but as it stands, “Show Discipline” fails to
live up to anybody's expectations. Also, the chorus is really really
bad.
4. KNOCK
YOURSELF OUT (FEAT. PHARRELL)
The beginning
of the working relationship between
Jadakiss and The Neptunes (well, mostly just Pharrell Williams, but
you get the idea), one which never turned out to be as wonderful as
everyone expected it to be. The main fault of this “Knock Yourself
Out” has to be the beat, which to me seems really, really annoying:
even Kiss doesn't know how to handle himself on this song, choosing
instead to spit on autopilot. I understand that this was one of the
singles from Kiss Tha Game Goodbye (not a very successful one,
though), but I honestly have no real recollection of ever hearing it
outside of the album's context. (True fact: the instrumental for
“Knock Yourself Out” was one reused by The Neptunes after the
Clipse's aborted first debut album Exclusive Audio Footage was locked
away in the vaults. Not that (No) Malice and the artist formerly known as
Terrar (currently doing business as Pusha T) did any better with it,
mind you: go check out the Clipse's “Hear Me Out” on YouTube and
leave your thoughts below. If you care about that sort of thing,
anyway.)
5. WE
GONNA MAKE IT (FEAT. STYLES P)
Infamously
known as the track with the beat The Alchemist somehow sold to both
Ras Kass and Jadakiss (as the result of some shady business
practices, to hear Rassy tell it back in the day). I liked this
track when it first came out, and in listening to it today I realize
that I still do, but not nearly to the same extent.
Don't get me wrong: this is still a good song, but the track's moment
has long since passed, and any impact it once had has been deflated.
Jadakiss and Lox partner Styles P do well with their back-and-forth
routine, complementing each other like peanut butter does with jelly,
but even though they sound okay on here, they can't hide the fact
that “We Gonna Make It” doesn't hold up over time.
6. NONE OF
Y'ALL BETTER (FEAT. SHEEK LOUCH & STYLES P)
The first of
a number of posse cuts that tend to appear on nearly every Lox
member's solo album output. DJ Premier (who helmed “Recognize”
from We Are The Streets) returns to
produce and he does not disappoint: in fact, he breaks out all the
stops and manages to create the best track on the project thus far. A
haunting boom-bap instrumental (and a hook made up of the perfect
selection of scratched-in sound bites) supplies the perfect backdrop
for The Warlocks to spit their crime tales, one they do not
take for granted, as all three
artists rip the beat to shreds. I don't think there was even a weak
link to this song. (Okay, if pressed, I'll say it was Styles P.)
While it may not be as good as “Recognize” was, it's pretty
close, and hey, who doesn't enjoy
anything produced by DJ Premier? (Apparently I don't, if you
misinterpret what I wrote in the comment section for The Alchemist's
Russian Roulette, but I digress.)
7. STICK
YOURSELF (SKIT) (FEAT. BIG WILL, CROSS, & ICEPICK)
…
8. I'M A
GANGSTA (FEAT. PARLÉ)
No, you're
really not. After that last
song, I was hoping things would turn around, but instead we're
presented with this exercise in monotony. It's hard to even decide if
what Jadakiss was spitting on here was good or bad, thanks to the
godawful beat and the godawful chorus. If you were one of the lucky
ones who have discovered the skip button, please feel free to use
that instead of
listening to this garbage.
9. NASTY
GIRL (FEAT. CARL THOMAS)
Oh look,
Carl Thomas, one of Puff Daddy's stable of R&B singers, appears
on this track. Well, that certainly gives more credence to the claim
that a Bad Boy Records contract influenced the recording of Kiss ThaGame Goodbye. But not by much. Oh, the song? Well, it's nothing
that special, as Timbaland provides one of his weaker beats while
Kiss dedicates a generic ode to all of the “nasty girls” around
his way. Nothing to see here; move along.
10. PUT YA
HANDS UP
Um,
no.
11. JAY
JERKIN' (SKIT) (FEAT. THE LOX)
The sequel to
“Rape'n U Records”, a skit which appeared on We Are The
Streets that, to be honest, I kind
of liked, seeing as how it was relevant to what The Lox were going
through at the time, since, let's be clear, they did get somewhat
fucked over by Puff Daddy. Also, I thought it was funny. This
second installment, however, is unnecessary, as it pretty much kills
the joke and does nothing to move the story forward. Obviously, I
think this skit sucks, but I'm pretty sure that most readers will
wonder why I wrote this many words about a skit in the first place.
12. ON MY
WAY (FEAT. SWIZZ BEATZ)
Swizz Beatz
provides one of his patented works of “music” (edited from
Taylor's original “Muzak”, which I altered because I felt that
was insulting to Muzak) while
Jadakiss does his best with what he has been given. The result?
Something that most people wouldn't care about even if Swizzy
held a gun to your head and forced you
to listen to the thing.
13.
CRUISIN' (FEAT. SNOOP DOGG, O.D., & RITA)
Not as
bad as its intro suggests, but it
still manages to feel quite generic, rendering Jada's rhymes
inconsequential, despite the fact that said rhymes are among the best
this project has to offer. Snoop Dogg is so nonessential to this
track that I'm sure even Jadakiss was surprised to learn that he
appeared on the final cut of this track.
14. KISS
IS SPITTIN' (FEAT. NATE DOGG & MASHONDA)
Like Warren
G.'s “Regulate”, except five times as derivative
and one hundred percent less entertaining.
15.
FUCKIN' OR WHAT?
On one hand I
want to fuck, but on the other, I really really don't. Can someone
help me out here?
16. IT'S
TIME I SEE YOU (FEAT. INFA-RED, CROSS, DRAG-ON, EVE, SHEEK LOUCH &
STYLES P)
The requisite
Ruff Ryders posse cut, featuring more of the family this time around.
For a posse cut, this was alright, but I fail to see the long-lasting
appeal of this, especially when three of the contributors aren't all
that well-known. (I assume Taylor's including Drag-On in that
assessment, but for me (and others like myself), that guy will always
be known as the rapper who sounded like Cam'Ron when we already
fucking had a Cam'Ron to kick around.) All of the artists appear
competent enough to hold their
own, but the track won't entertain anyone who is outside of the core
faction of Ruff Ryders fanatics who still exist. Also, the
fact that a Ruff Ryders posse cut appeared on what was allegedly a
Bad Boy contractual obligation surprises me:
if he had such a hand in the making of the project, why would Puff
Daddy seemingly allow Jadakiss to make many of his own choices? Why
doesn't Kiss Tha Game Goodbye sound
more like, well, like Puff Daddy?
17. WHAT
YOU RIDE FOR? (FEAT. 8BALL, YUNG WUN & FIEND)
I don't know.
I was hoping you four would be telling me.
18.
UH-HUNH! (FEAT. DMX)
Sounds more
like a DMX song than a Jadakiss
track, which is evident when you first listen to it. The beat is
particularly menacing, and fellow Ruff Ryder Earl Simmons fits right
in, delivering what are unquestionably the best
verses on this song. Which is unfortunate for Jadakiss, who comes
across as out of sorts and even confused at times. As a result, he
treats this as just another day at the office, speeding through this
track just so he can get to the next song that much quicker. I
wouldn't be surprised if this was a originally supposed to be a DMX
song featuring Jadakiss, but since it appears on a Jadakiss album, we
have to focus on our star attraction, and so far
he has been disappointing as shit.
19. FEEL
ME (SKIT)
More of a
rapping interlude than a skit. Jadakiss raps his heart out over an
Alchemist instrumental, one you can actually (pun notwithstanding)
feel him on. It's a shame that this
wasn't longer, but I suppose two minutes is more than enough time for
Jadakiss to get his point across.
20. KEEP
YA HEAD UP (FEAT. ANN NESBY)
During the
introduction Jadakiss tells a kid that everything could be worse,
ironically leading into the actual song, where he proves the kid
right by turning in a track that is much worse than what any of us
could have ever imagined. Guest
singer Ann Nesby (who has done some good work in the past) is wasted,
which is a shame, as she really deserved better then
to sing on this Bad Boy abomination of a song (it was co-produced by
Chucky Thompson, one of Puffy's Hitmen). Kiss spits some rhymes and
stuff on here, but you'll never know it, since everybody else who
started listening to this track quickly shut it off a quarter of the
way through in order to stave off brain damage brought on by the
song's shitty quality. True story.
21. CHARGE
IT (SKIT) (FEAT. CHEP & GAB)
A five minute
skit? Are you freaking
kidding
me Jadakiss? Did you want
people
to suffer? I'm sure Jada's a nice guy, but choosing to end his debut album with a five-minute makes him come across as kind
of a dick.
FINAL
THOUGHTS: KissTha Game Goodbye
is
a disappointing debut from a rapper who most people claim to be
exceptionally good, even though he has yet to really prove himself as
such. On his debut, Jadakiss targets the pop crowd while including
some throwaway joints for the streets, and the results are less than
impressive, as a lot of the production sucks balls and Kiss doesn't
feel confident about most of his surroundings. People who choose to
listen to Jadakiss expect him to spit over hard beats that don't
scream out “mainstream” in any way, the kind of stuff that hits
you like a hammer in the back of the skull with its “I'm
from New York, I'm from the streets, and if you don't like that, fuck
you!”
aesthetic; people don't expect the kind of shit that Kiss Tha Game Goodbye actually consists of. I don't know or care if Puff Daddy had any say
in the direction of this project, but I don't understand why artists
feel the need to lie to cover up their failures: just own it and move
on (lest you wind up like Canibus, a guy who has yet to accept any
blame for his flailing “career”, and yes, I realize that I just
invited Canibus's stans to come out of the woodwork, so have at it).
Regardless,
the mere fact that Jadakiss chooses to distance himself from this
project says a lot.
BUY OR
BURN: You
absolutely should
not
buy
this. There is one good track, though, so just download that and
call it a night.
BEST
TRACKS: “None
of Y'all Better”
-Taylor
(Questions?
Comments? Angry threats? Leave them in the comment section.)
Styles P > Jadakiss but I realize that that's still not saying much.
ReplyDeleteI think we all have the same opinion when it comes to Jadakiss. The guy can rap, but his albums have never reached the heights of his many stellar guest appearances. Review was entertaining, so nice job Taylor.
ReplyDeleteFUNKY??? holy shit i watch your nba videos. what a crossover.
Delete"During the introduction Jadakiss tells a kid that everything could be worse, ironically leading into the actual song, where he proves the kid right by turning in a track that is much worse than what any of us could have ever imagined."
ReplyDeleteI lol'd
Haha! "We Gon Make It" is awesome and I feel like Jada treated it better than Rassy. So that makes 2 good songs on the album.
ReplyDeleteAlso, Canibus fans consist of ignorant white people who really like guns and turn down their car stereos when black people walk by.
Highly accurate review.
To be fair, is there anything that's going to kill an artist's buzz more than an album loaded with skits? Who asks for skits?
ReplyDeleteJada's good for a verse, I reckon. 'Run', and that Gangstarr song I can't remember the name of are prime examples.
Jada's verse on the Gang Starr album is on the song 'Rite Where You Stand' and yes it is a great verse, probably Kiss's best. i love it when he says "Jay to the Mwahh". Doesn't come across that well in text, but trust me on record its dope.
ReplyDeleteWould love to hear your opinion on Lloyd Banks Max. not his G Unit shit, or any of his other solo albums that are generally shit, but his mixtapes, especially the Cold Corner 2 and his latest, V6. Those tapes are better quality when it comes to beats and rapping than most motherfuckers actual LP's, including his own.
ReplyDeletei would also recomend you review more mixtapes Max, theres some good stuff out there if your willing to wade through the shit to find it, and if you dont mid the occasional annoying as fuck DJ shout out.
The only thing I really wanna know though, is we fuckin' or what!?
ReplyDeleteAlso, Jay Jerkin totally ethers Rape'N-U Records. In my opinon.
Max i pine for the days when your Wu Stan status was pushed in our face everyday,with you reviewing 5th rate Wu Affiliate albums.
ReplyDeleteNot that i want you to review any old Wu Affiliated crap, i wanna see reviews for Allah Mathematics first two albums, The Problem, and Love Hell Or Right.
would also be interested in your opinion of GZA's career direction these days, with a comic book called Chlorine of all things coming out, and a LP all about science called Dark Matter.
Those two albums have been on the request pile for quite a while; I just really haven't wanted to sit down with them, as I was consciouslly trying to pull back from doing sixth-string Wu-Tang Clan members, as you mentioned. But I haven't forgotten about Allah Mathematics.
DeleteThe comic book thing isn't surprising at all (remember The Nine Rings of Wu-Tang?), and I'm looking forward to Dark Matter. It's not the long-promised Liquid Swords 2 (which is still coming, apparently), but I enjoyed most of his last album, Pro Tools, so I have high hopes.
Liquid Swords 2 ain't NEVVER droppin' Max (i added the extra "V" to Nevver so that you'll understand my pronounciation of Never..)
DeleteThe fact being that we now have "Dark Matter" droppin' whenever instead. And let's say there is a LS2, it's gonna suck!! for 3 major reasons..
1) RZA sucks.. don't get me wrong, I LOVE RZA.. the man is arguably one of the greatest producers ever..but all his accomplishments are in the distant past!! When was the last time the man made an actual amazing track, the type of track that would remind any of his fans why he's so beloved in the first place?? I'll say the Ghost Dog soundtrack.. back in 2000 LOLZ the man has so much knowledge, but his skills and mindset are fuckin' LOST!! RZA is thru!!
2) Liquid Swords is among the greatest albums ever made..not in just hip hop, but in the entire existence of recorded music. GZA is waaay past his prime as a lyricist and i LOVE GZA.. but, he'll NEVER be smart and work with Cilvaringz instead of RZA to produce Liquid Swords 2. As of 20 fucking 12, Cilvaringz is beyond more consistent and true to the wu sound and the fanbase as RZA. Cilvaringz will out-RZA the current RZA in production.
3) With the exception of Ghostface, ALL OF THE WU TANG CLAN MEMBERS are shadows of their former selves in every way shape and form. Liquid swords was not just a RZA/GZA production, it was a WU TANG PRODUCTION.
Ghostface Killah is the ONLY member who is arguably as good (if not better) as he ever was.. and this is coming from an even bigger Wu-stan than Max is...
Liquid Swords 2 may at best turn out like Cuban Linx Part II, a decent album overall, but having nothing to do production, theme or sensibility wise with its predecessor.
I'm glad GZA put Liquid Swords 2 on hold, and i hope it stays on hold permanently.. i dont ever want to see a liquid swords 2. Cause it'll fail to even halfway live up the quality of the original..just like cuban linx part II
Cuban Linx Part II was an alright album.. but it wasnt nowhere near worthy of all the dick sucking its gotten over the past few years.
Wow. Very well worded. I don't like all these sequels by washed out rappers trying to build off of their past successes. They should just do new shit or, in some cases, retire.
Delete@Anonymous Wu-Stan
DeleteBet your opinion has changed since Czarface. They still got some shit left in them.
And, fuck you. RZA may be inconsistent as fuck, but he is STILL capable of whipping headbangers like his contributions to Mef's very overlooked 4:21 joint. And Unpredictable off the yet again very overlooked 8 Diagrams cake
Erm, ignoring the random Liquid Swords 2 debate on a f***ing Jadakiss review of all people, would Max (or a reader) be kind enough to give me their opinion on Jada's Kiss of Death? Thanks. And incidentally, I also hope Liquid Swords 2 doesn't materialise if it's not going to even go near the original, my favourite album ever. However, I do believe that Wu are forever, regardless of current output (and 2013's been a good year for Wu)
ReplyDeleteone good song....... FOH
ReplyDeletejada was dissing beanie sigal in the song with dmx on this album
ReplyDelete