(After a brief four-day nap (you two realized that running three posts in one day would probably lead to me skipping a round, right?), today
I run a Reader Review for an artist I pretty much know nothing about,
which makes for the best kind of Reader Reviews for me personally.
Crazy Dave (better known as the commenter Dave Tarantino) takes on Decatur-based Jarren Benton's debut album, My Grandma's Basement. I've since figured out that Benton is known for his
shock-value punchlines and use of trap-ish beats, which at least
makes it seem like he isn't gunning for the Odd Future throne. After
a really quick intro, he jumps right in, so get settled in and leave
your thoughts for him below.)
The readers of this blog must be aware
of how hip hop is supposedly making a comeback at the moment. I
happen to be one of those people that believes the artists
responsible for bringing it “back” are merely revisiting the
sound from the East Coast back in the 1990s. Not that I mind, but
whatever.
Today I will be reviewing Jarren
Benton’s debut album (because his mixtapes don’t count), My Grandma's Basement. It was released by the house that (2012 XXL
Freshman and Tyler, The Creator adversary) Hopsin built, Funk Volume,
last summer. Most people will read that last sentence and think,
“Wait a minute, Hopsin signed this guy? Then this album is going
to be shit.” That was my initial expectation going into this, too.
However, I was surprised: whether that is a good or a bad thing will
be determined by this review.
1. YAYA (SKIT)
Well, that was useless.
2. RAZOR BLADES & STEAK KNIVES
(FEAT. HEMI)
The first actual song on My Grandma’s Basement features Jarren dropping jokes as though they were kids from
a plane. Meanwhile, the Kato instrumental is pretty banging, and the weird
synth on a loop meshes well with Jarren’s delivery. I actually
liked the hook, which is strange, as I feel that the choruses within
our chosen genre typically suck monley balls.
3. LIFE IN THE JUNGLE
This song is bombastic. Jarren Benton
raps his ass off on this track, switching to a speedy flow that actually doesn’t sound like he just
put a bunch of words together from a thesaurus. Kato’s production
is good, even though I hate when producers speed up hi-hats: this is
sort-of fixed when the beat changes to something more menacing near
the end of the track. The chorus was meh, but overall I’m starting
to like this.
4. DON'T ACT
I can take or leave this track, mostly
because of the Kato production. On first listen, I loved Jarren’s third verse, but the rest of the song sounds
too much like a 2 Chainz impression for comfort. This is pretty much
exactly what I was expecting from this album when I first heard about
it, though.
5. BIG RUBE INTERLUDE (FEAT. BIG RUBE)
One of the most pretentious things I’ve
heard in a long while. Still doesn't beat the introduction on the
first disc for Wu-Tang Forever, though.
6. DREAMS
The Spittzwell instrumental is something you
wouldn’t expect Jarren to rap over (if you're familiar with his
other work, anyway), and he flows over it admirably. He raps about
some pretty personal stuff on here, which was refreshing. I didn’t
care for the hook at all, though.
7. THE WAY IT GOES (FEAT. PLANET VI)
This ended up being my favorite track on
My Grandma's Basement because of the Reckless Dex beat and how energetic Jarren
sounds. It feels as though he drank three cups of coffee cut with Red
Bull before stepping into the booth. I liked the hook, too: it fits
with the rest of the song. Planet VI also does well enough for
himself, even though I have no idea who he is.
8. CADILLACS AND CHEVYS
I laughed at the intro to this song.
The song itself will play very well in the car, but unfortunately
falls into the “trap” category. I liked Jarren’s jokes, but
felt he could’ve done better on a different type of beat. The
chorus fits the song, so overall I still thought this was okay.
9. HEART ATTACK
Jarren sounds like Eminem on this
track, flow-, concept-, and delivery-wise. He comes across as a good
storyteller: his detail to the story is really, really damn good. I
loved the instrumental on here because of the eerie vocal singing
loop that meshes really well with the story and delivery, especially
toward the end, where the beat veers into different territory, which
is awesome. The skit in the middle adds to the Eminem feel.
10. MY ADIDAS
Jarren dedicates this song to his
Adidas and comes off as goofy, but Jarren has enough charm to pull it off. I can see him as that kid in
high school showing off his shoes to everyone, thinking he’s the
shit.
Anyway, the Kato instrumental was pretty
good, and the hook incorporates scratches that sound pretty good and
that deep voice thing rappers do nowadays. This song could easily be
played on radio stations throughout the country (the better ones,
anyway). Overall, I like this track.
11. SMELLS LIKE (FEAT. R.A. THE RUGGED
MAN & MIC BUDDAH)
Huh, R.A. the Rugged Man snuck onto on
this album. Good for him, trying to branch out. Anyway, this song
rocks (I'm stealing Max’s signature italics here). R.A. and Jarren
share awesome chemistry, vulgarity included. R.A.’s deep voice and
Jarren’s higher pitched voice just sound so good together. In
particular, I love when Jarren raps, “They say you are what you
eat, I don't recall eating a fuckin’ rapist”. The Spittzwell instrumental is
probably the grimiest of the entire album, and both rappers excelled.
Loved this track.
12. EVEN MORE NO HOMO (SKIT)
Actually really, really funny. How did
Jarren manage to get away with this skit? I’ll leave you with one
word: wrestling.
13. BULLY (FEAT. VINNIE PAZ)
I am actually not that a big fan of
Vinnie Paz, but when he does a good verse, I commend him. On “Bully”,
Vinnie does his thing, thankfully without trying to stuff as many
syllables as he can into one bar to pass himself off as what people
may call “lyrical”. The beat is like something that came straight
from R.A.’s the Rugged Man’s Legends Never Die. I’m
impressed with Jarren so far: he didn’t fail on this track, either.
14. I DESERVE IT
Hypnotic, in a similar vein as “The
Morning” off of the G.O.O.D. Music Cruel Summer compilation. Jarren
does some decent speed-rapping on this track. The beat manages to
switch itself up enough to keep me interested, and the chorus was
really damn catchy. He actually adjusts his flow many times, which
impressed me, although he could’ve done better with his lyrics on
his verses, especially during the speed-rapping.
15. GO OFF (FEAT. HOPSIN & SWIZZZ)
The M16 beat sucks in the beginning, but
gradually gets better by the time Jarren gets to the middle of his verse. Everyone on here sounds like
they have little to no chemistry with each other, which makes no
fucking sense considering Jarren is
part of Hopsin’s label. SwizZz and Hopsin sound very generic, with
neither delivering memorable verses. I hope Jarren remixes this track
or something by removing Hopsin and SwizZz, because it is
underwhelming in its current state.
16. WE (MY OWN DICK) (FEAT. DIZZY
WRIGHT & POUNDS)
Jarren sounds annoying on this track,
probably because the instrumental gives me a headache. I don’t
understand why Dizzy Wright is considered to be a big deal: he sounds
as bland as (and now here comes the hate comments) Roc Marciano. I
will give Marcy some credit: he doesn’t sound bad when he has
someone to bounce off of that has a lot of energy, like, say,
Freeway, Action Bronson, or even his former boss, Bus-a-Bus. I feel
bad that I went off topic, but I needed to get that off my chest.
Now, this song isn’t anything special, but it least sounds better
than the last one.
17. PBR & REEFER
I thought this was alright upon my
first listen, because Jarren sounded pretty good, but the
instrumental fucks everything up. This is a bigger train wreck than
the two largest trains from the West and East coasts colliding and an
airplane randomly dropping a bomb from a very specific altitude of
12,735 feet onto the wreckage.
18. OJ (FEAT. ELZ JENKINS)
Finally, a decent track after a series
of misfires. This was a nice break from all the shit that came before it. Jarren and (I’m assuming here)
his weed carrier do a good job, the beat finally working in Jarren’s
favor.
19. MY GRANDMA'S BASEMENT
This song bangs louder than a
twelve-gauge shotgun fired right next to your ear. All of Jarren’s
paranoia throughout the project seems to have culminated into this
title track. The beat is a huge way to end the album, and a perfect
fit for Jarren. This was just awesome.
THE LAST WORD: My Grandma’s Basement
starts off pretty great, actually, and it picks up at the end,
working its way through an indifferent middle. Jarren Betton is an
interesting rapper, but one wonders what he could do over some
boom-bap instrumentals or even a few El-P beats. I personally will be
looking forward to Jarren’s sophomore album, because this was
definitely a pleasant surprise. However, you will probably want to
preview a few of the tracks before you make a decision, since
Jarren's rhyme style and choice of instrumentals can be an acquired
taste: I would suggest “The Way It Goes”, “Smells Like”, and
“Heart Attack” as a starter course.
-Crazy Dave
(Questions? Comments? Concerns?
Leave them below.)
Max, I would just like to request to NOT have a review of G I R L. I don't think you will but I want to erase any chances seeing as you reviewed his previous solo album (despite it being a Drink Coaster), him being a superproducer and all, and you having that fucked up tendency to review random artists nobody cares about (like fucking FERGIE). How the fuck did Vanilla Ice not make it to the sidebar but that ugly ass hoe made it? Please don't review anything from this immortal man unless it's Clipse, or I will put a Clip inside you. Happy Belated 20th Anniversary of Gang Starr's Hard to Earn.
ReplyDeleteI second this, GIRL was a terrible listening experience. It doesnt even have any rapping, count it as more of a bad pop album.
DeleteIs Crazy Dave's review
DeleteAlways would like to give my thanks to the site Maximillion (mispell intentional).
ReplyDeleteI enjoyed this album a lot more than I thought I would!
ReplyDeleteHopsin used to be a favorite of mine, and he still kinda is, but I feel like he's a bit of a drama queen and does a lot of shit-talking that he hasn't earned the "rights" to do yet. You're right about Dizzy though. He just seems like another weed rapper to me, and I HAVE given him plenty of chances.. Bleh.
Anyway, good review.
Nice, short, review.
ReplyDeleteI listened to the "bombastic" track Life in the Jungle and thought it was complete shit.
ReplyDeleteWas it the production or Jarren himself?
DeleteBoth it just sounds like a generic track with a generic rapper to me.. the line about sharks was a deal killer for me
DeleteTo each his own, but before you give up on Jarren, listen to "Smells Like".
Delete"Heart Attack" may also be what you are looking for too.
Deleteok I like both heart attack and his verse on smells like, but it kinda just sounds like a D-list version of Eminem, which isn't bad but isn't really original.. how did you like Hopsins album?
DeleteI thought it was alright, but Hopsin needs to downplay the drama a bit. Sort-of reminds me of a b-movie actor or something.
Deletethank you Based God. https://www.youtube.com/watch?v=HBQ2mjkvYY8
ReplyDelete