(Today's Reader Review comes from
Shoe-In, who decided to tackle Large Professor's formerly-lost debut
album, The LP, so that I didn't have to. And yes, he even uses that one line from the Tribe song
during the intro. Come on, you all knew that was going to happen.
Leave your thoughts for Shoe-In below.)
OK, people, I've been reading this blog
for a while now, and I feel that our host here is slipping up on a
lot of East Coast legends for someone who is so obviously an East
Coast head. (Max, big fan. Keep doing you.)
"Queens, represent. Buy the album
when I drop it." - Large Professor, from A Tribe Called Quest's
“Keep It Rollin'”
William Paul Mitchell, also known as
Large Professor, Main Source mastermind & bass extraordinaire,
hereinafter referred to as just "LP", has received much
critical love for many things in the early 1990's, but most people
seem to know him for throwing rappers like Nas and Akinyele some
scraps of his spotlight. One of those two names didn't invest in
that scrap properly, but I'm not here to point fingers (hint: it
wasn't Nas).
Now, lame attempt at humor aside, I've
been chomping at the nuts to hear more from this beatsmith who
brought the world my favorite Illmatic songs, "It Ain't Hard to
Tell" and "Halftime" (I know, Max hates that song, big
deal), so I sought him out. I checked the man's discography and
something didn't look right. LP is a genius, so how come after
producing Akinyele's debut Vagina DIner and his now-legendary plea
above, he drops zilch for nearly a decade?
This caused me to ignore my love for
the guy's music and immerse myself elsewhere in my hip hop journey, at least
until I came across an interesting piece of info. LP was supposed
to drop something in 1996, but the Geffen higher-ups deemed that his
work sounded too "dated" and shelved his shit after
"promoting" only two songs. That makes me want to strangle
my dog, so imagine how LP must have felt. (I've actually never had
and don't plan on getting a dog. I hate dogs, you see.)
Fast forward six years, when LP
released what ended up being his actual debut album, 1st Class.
Queens didn't represent, and neither did I. Why should I? The man
sounded nothing like the Main Source powerhouse I knew, which led me
to believe he had fallen off. However, some of the copies of 1st
Class came with an additional disc. Little did people know that this
CD was actually Large Professor's lost first attempt at a debut, The LP. But I still didn't represent. I was one of the blinded at the
time.
Then, one day I read on the Internet
that The LP was produced in 1996. I looked further into it and it
turns out LP finally did manage to release The LP...in 2009, a year
after his second album, the aptly-titled Main Source. It didn't have
the same tracklisting, and it included a few bonus goodies that
weren't readily available in 1996, but still.
I deliberately wrote this long-ass
intro to emphasize that "this man went through a lot of shit to
release an album" is hip hop's understatement of the century.
But is The LP a classic? You will find out. That's why you're still
reading.
1. INTRO
Clearly recorded in a much earlier
time, LP tells you in between scratches of “Yo, Professor what's
up?” that this is, in fact, his solo debut, and "whoever
disagree is taken out like trash". Weak, but not entirely so.
2. THAT BULLSHIT
Now that's more like it! LP launches
into an impressive tirade against violence in the ghetto. Is it me,
or is the man obsessed with shouting out his song titles (among other
useless crap) as a chorus? The third verse is LP's attempt to "open
your eyes" and it isn't half bad. The sample kind of got on my
nerves, though, since it distracted me from the actual music.
3. HUNGRY
Extra P provides himself with a
straight-up mean instrumental and proceeds to rip it to shreds. Yes!
No chorus! Until the last minute, anyway, where he just, for lack of
a better word, stops, then rolls out a long-ass (and annoying) outro
for the song. Almost ruined the track for me. Almost.
4. I JUSWANNA CHILL
My favorite song on the album (and the album's second of two singles). The
hook's catchy, too: this will be the only time on this album that
happens. I don't give a fuck about the title's spelling issues: if
anyone's gonna making a song about success in the music industry,
this is how to do it. The end of the track leads into...
5. FUNKY 2 LISTEN 2
Yet another unorthodox beat by Extra P,
but this time he doesn't fuck it up. Lyrically, LP is kind of
underrated in my opinion, “underrated” as in “this song, by
itself, owns the entire ymcmb catalog" (I'm using small letters
because it's my review and I'm kind of a prick). This really was
enjoyable. Also, no chorus!
6. MAD SCIENTIST
Starts with a somewhat dated recording
of a pseudo-whimsical beat (one that some of you two may catch as
deriving from the same source material as Busta Rhymes's “Woo-Hah!
Got You All In Check”) where Extra P spits a few kinda meh bars and
shouts "Mad Scientist!". Before anyone can bitch, "This
isn't what I heard in 1996!", the beat switches up, and we're
greeted with The LP's awesome lead single, preserved in all of
its glory. I love that laugh during the chorus. Even when censored, this
song is almost perfect...until LP repeats his first verse as the
third verse. And yet I still enjoyed this. Seriously, though, he
needs to stop with this lame-ass hook routine. It's getting
annoying.
7. HARD
The song starts with a smooth, classic
LP beat, and switches to a goddamn mess of a torture session. I
don't give a fuck if his lyrics on here were decent: I hated that
beat, and the chorus is just sad. I hate writing this next
statement, but LP messed up here. The first fuck-up of the album.
8. ONE PLUS ONE (FEAT. NAS)
Extra P brings to the booth his former
weed carrier-turned-rap messiah, who (in 1996, anyway) seemed to
remember how he used to sound on Illmatic, as he spits an immortal
verse. Then before LP starts, Nas tries his damnedest to ruin the
mood by spinning off into one of his tangents, singing and whistling
“lalalalala”, which just makes him seem desperate for attention:
surely he must have laced his weed by following one of The RZA's
weird “honey dip” rituals. LP snaps out of Diddy mode and
switches the overall feel mid-verse, leaving us with an equally
decent gem of a verse himself. An excellent song.
9. THE LP (FOR MY PEOPLE)
This song is exactly why I hereby
declare Extra P used to be a seriously underrated emcee, as we all
know he's a wizard at beats. No, really: wrap your head around this:
"Lots of knowledge cause this world is my college / where I
teach and preach your whole contract, jack". Nice! Even with
the meh hook. (I'm saying this a lot, aren't I? There still more to
come, too.)
10. DANCIN' GIRL (FEAT. LEN X'S TEN)
The obligatory song for the ladies.
Even with the subject matter, Large Professor comes off as quite
respectful. Not to mention he provides a very addictive beat. The
only flaw on here is the eye-gougingly irritating chorus, crooner and
all. Probably why we never hear from Len X's Ten again.
11. LARGE PRO: VERBS
The original album intro (on the first
version of The LP), now thrown in at the halfway point as a "midtro".
This beat fucking knocks. Why didn't you just stick with the
original sequencing?
12. HAVIN' FUN
A track about, well, you can guess.
The hook sucks much more than usual: LP's rhymes are still decent,
but this song is ruined for me. To top it off, it even ends with a
section of an earlier track, "For My People". WTF?
13. SPACEY (FEAT. CEE LOWE &
VANDEMATOR)
The only song on the project not
produced by Large Professor, but by Toney Rome. Even with the
old-school, almost-decent beat & a good verse from LP, the guests
and the (gasp!) hook turn this song into horseshit.
14. AMAMAN
Weird title aside, this song is the
first of four 2009 additions to The LP. He channels Pete Rock into
his beatmaking and comes off bombastically good. Lyrically, you can
hear Extra P trying to match his former self's ability to rhyme, with
acceptable results. The end of the song provides us with an earlier
take on the same track, and although brief, you'll notice the
resurgence of lyrical quality.
15. QUEENS LOUNGE
LP seems to have rediscovered his
ability to write shitty choruses. Otherwise, this party song rocks.
16. BOWNE
If anyone is a sucker for nostalgia,
this beat would eat you alive. And yes, I'm a sucker. LP reflects
on younger times, and does pretty damn good.
17. BIG WILLIE
The best of the four new additions. LP
uses his final song briefly transforming into a one-man Gang Starr
during this street tale. I approve of this shit.
18. OUTRO
Similar to the intro, but to me, LP is
a much better emcee when he's introspective and not talking shit, so
I liked this a bit more.
FINAL THOUGHTS: OK, enough with the
sweet talk. The LP is not perfect. Large Professor has an
unsettling tendency to write abhorrent hooks, and he isn't
bulletproof when it comes to his sampling choices. Still, I would
consider The LP a classic album, right up there with Main Source's
Breaking Atoms (which, might I add, shared those same flaws). If bad
hooks put you off, steer clear from LP's entire body of work.
Otherwise, you'll enjoy this album for what it is, a genius LP by LP.
Clearly, I was wrong in presuming he fell off. I suggest listening
to the album using its original tracklisting, though: it'll make much
more sense.
BUY OR BURN? If you don't mind hooks,
you should buy this shit to prove your love of hip hop. Everyone
else should listen to it at least once, just so you can appreciate
the man's musical genius. Minus "Hard", of course: that
shit should be banished to the netherworld of pretentious artistry.
BEST TRACKS: "I Juswanna
Chill"; "Big Willie"; "One Plus
One"; "The LP (For My People)"; "Mad
Scientist"; "Large Pro: Verbs"; "Bowne"
(Questions? Comments? Concerns? Leave your thoughts below.)
Represent. Good review, I'd love to buy this but there's no way I'm paying £25 for a cd on amazon :(
ReplyDeleteDefinitely good, but nowhere as near as good as the (immortal) Breaking Atoms. I love the shit out of Bowne, though. That beat is the sound of walking through Queens on a chilly October day.
ReplyDeleteIt's just those fucking hooks, man.
DeleteListen to Breaking Atoms carefully again, and you'll find 'em sure enough.
And here, he talks a lot more shit.
Otherwise, LP really stepped up his flow here. Very noticeable change in beatmaking as well.
Finally, the man has written some awesome introspective shit during the mid-to-late 90's.
Good review. In my opinion "The LP (For My People)" is the best track on the album. Even Q-Tip "recreated" the song on his Renaissance album ("Believe ft. D'Angelo").
ReplyDeleteWhat's a £?
ReplyDeleteI believe that to be the English Pound, but it may also be the Euro, one of those two.
DeleteSeriously? British currency
DeleteYes British Currency.Pounds Quids Sterling. F..k the Euro and the e.u
DeleteHmm. Not a fan of Europe. Basically Africa with some money. And less black people.
DeleteYou forgot the lack of AIDS.
DeleteSpot on review . Worth the 25 quid.L.P is one the best producer on the mic other is anthough L.P.Lewis Parker.But that for anthough day.Also Vagina Diner is a top ten for me.Got of some L.P best Beats and who don't like ak on that album.!!!!
ReplyDeleteDear LORD, did I ever hate Spacey with a passion!!!!
ReplyDeleteThe guests were absolute barf.
I hated the Havin' Fun hook.
ReplyDeleteEven though the sample was spot on.
Yes, I know that it was a Treacherous Three quote.
I still hate it.