(Today's
Reader Review is brought to you by Andrew W., who tackled the debut
album from Compton's Most Wanted, a crew that seems to have been lost
in the shuffle of hip hop today, even on this very blog, since the
only other piece I've ran on the group was a different Reader Review
several years back. The album is called It's A Compton Thang; leave
your thoughts for Andrew W. below.)
Compton's Most Wanted's debut album,
It's A Compton Thang, was recorded in Los Angeles and mastered in
Queens back in 1990. Around this time, the beef the group (made up,
at the time, of MCs Eiht and Chill, along with DJ Mike T and producer
DJ Slip; The Unknown DJ wasn't technically an official member) had
with fellow Compton rapper DJ Quik was just beginning to cook. Word
on the street is that their disagreements were the result of some
disses Eiht believed were aimed at him on some infamous underground
red mixtape. Who knows, but it led to a few years of mildly
entertaining insults being slung back and forth between the two.
I am as old as a hieroglyph, so I
picked this album up when it dropped on cassette, but I'll be
reviewing it on vinyl. I viewed/view this album as the West Coast
counterpart to Gang Starr's Step in the Arena, as they both dropped
around the same time. Later on, DJ Premier would remix "Def Wish
2" for CMW, and Primo still enjoys a working relationship with
MC Eiht to this day, which only reinforces my point.
I was always confused as to who the
white boy was on the cover of this album or even if he really was
white as he looks Spanish on the back cover. Is he The Unknown DJ? Or
is he DJ Slip? Or even DJ Mike T with the funky scratches? I guess it
doesn't really matter, since I can tell which guy is MC Eiht, leading
me to believe the other guy is Tha Chill MC, both rocking the CMW
hats and Nike Varsity jackets to make sure that no one confused them
with any other West Coast rappers of the time.
Anyhow, you two readers are here to see
what I think of the album. So here we go.
1. ONE TIME GAFFLED EM UP
A very smooth track kicks off the
proceedings, as Eiht weaves a tale of life in the Compton streets.
Obviously, Eiht was influenced by Slick Rick: they even utilize his
vocals for part of the hook. I wish Eiht would have continued with
his storytelling over the years, as he is fairly engaging on this.
The late 1980s/early 1990s was a time when sampling James Brown
wasn't yet played out, so this works for me very well.
2. I'M WIT DAT
Damn. I like this track. A great use
of Isaac Hayes, mixed in with some great drum programming. This track
features Chill, and I wish he would have stuck around for the years
that followed, as he provided a good compliment to Eiht. Straight
battle rhymes from both emcees without any super-hyper-violence; just
some sprinkling of the bud here and there, and one reference to
peeling someone's cap back. The cuts by Mike T work well. Overall,
a solid production by Slip & Unknown.
3. FINAL CHAPTER
More James Brown. Listening to it now,
I guess it really is boring after hearing this sample (and the
original songs) dozens and dozens of times over and over throughout
the years. Eiht sounds dull over this track, but there is one saving
grace, I suppose: the cuts by Mike T. I am pretty sure I skipped
this one back in the day, which you probably should do now.
4. I GIVE UP NUTHIN
Eiht comes through to keep up with the
high-tempo, funky sample-filled beat. No hook is requested nor
required, and I love it. Just let the music play. It's a much
better idea than what Shaq and the Wu-Tang Clan would have years
later: chanting "We don't need no hooks" as the actual
chorus? Getdafuckouttahere. Everything fires on all cylinders here.
5. THIS IS COMPTON
Some more bragging and boasting from
Eiht and Chill. The track is "funky like Lee Dorsey",
mostly because that is who Slip and Unknown sampled. The best parts
of “This Is Compton” are the samples and cuts by Mike T during
the bridge. Overall, this is decent, but nothing amazing, perhaps
even a little bit too long when compared to other tracks on the
album. But I do like the line alluding to DJ Quik and other
"punk-ass perm-wearing pussies" and hearing Eiht laugh
immediately after.
6. RHYMES TOO FUNKY PT. 1 (LIVE AT
LONZO'S 1988)
Thank goodness there was never a part
two. This was bad even back in 1990.
7. DUCK SICK
The first in a series of disses aimed
at DJ Quik. The beat works so well for this type of song, allowing
Eiht and Chill to drop lines like "'Too Sorry' is the name for
your rap" and "you tossed out records - they got tossed
right back".
8. GIVE IT UP
Red Hot Lover Tone (the guy from
production team The Trackmasters) straight ripped this shit off for
his debut album, both the sample and the concept. However, as Guru
(R.I.P.) once said, “You don't own no loops”, and as it stands, I
actually enjoy both tracks, as they are both completely raunchy in a
Blowfly-kind of way. If you are digging these cats and have not
heard it yet, then go look for twelve-inch single for “Give It Up”
and flip to the B-side, “Whose Is It?”, which features Chill and
Eiht being challenged by some of the more promiscuous ladies (“hos”,
if you will) in Compton and is pretty entertaining.
9. LATE NITE HYPE
The crown jewel of It's A Compton Thang. The mellow vibe of the track works beautifully with Chill and
Eiht's laid-back vocals and respective deliveries. Just listen.
10. I MEAN BIZNEZ
I wish CMW had ended the album with
that last track, but they didn't. I always viewed “I Mean Biznez”
and the next song as unofficial bonus tracks that weren't really that
much of a bonus.
11. IT'S A COMPTON THANG
Wait. Hold up. I bite my tongue.
Here comes the title track. I guess this was a smart way to end the
album: another funky, mellow-type beat where Eiht explains why it is
"soooooooo Compton" (like his boy DJ Quik would do years
later on his amazing Book Of David).
FINAL THOUGHTS: After listening to
CMW's It's A Compton Thang straight through, I have to say it's
pretty enjoyable as a whole. I still rock some of the tracks to this
very day. I am a huge fan of the West Coast during the early 1990s,
though, so I am fairly biased. Was It's A Compton Thang
groundbreaking for the time? No. Was it better than the group's next
two efforts? No. But it was still fun to listen to. And there
would be no way this could have been better than (CMW's third album)
Music 2 Driveby anyway: that project is a masterpiece, as noted in
another Reader Review from P_Captain.
BUY OR BURN? Well, you can pay
forty-five dollars to get the CD from Amazon, but I wouldn't
recommend that. If you can find it for less than ten bucks, pick it
up, but burn it if you can't.
BEST TRACKS: "I Give Up Nuthin";
"Late Nite Hype"; "Duck Sick"
-Andrew W.
(Questions? Comments? Concerns?
Leave your thoughts below.)
Yeah I remember I really like this album and I listened to the third album but how's the second album? I skipped it.
ReplyDelete2nd album is their best imo. I like all of their first three albums, but that one has the dopest productions: bleak, dark, sometimes even downright creepy and Eiht's consistently on point. It's somehow their most underrated album, but I've yet to understand why.
DeleteYou can find it for 9.90 on Itunes!
ReplyDeleteI really like MC Eiht on his own debut album We Come Strapped, so I will check this out too
Nice review! I also bought the album when it dropped, on vinyl. To me it's a classic and 8 of 11 tracks are banging.
ReplyDeleteBy the way, the "Rhymes too fynky, pt. 1" freestyle is not bad to me, Andrew. I don't know why you dislike it, but it's raw.
Rhymes Too Funky is labeled part 1 on here because it is about half the track, the same way they used to label old soul singles part 1 and 2 and it was really just the whole song cut in half for each side of the 45. The whole song is on one of the Compton compilations albums. Can't remember if it is one or two though.
ReplyDeleteThe other interesting thing about this album is it is one of those albums where they re-recorded a lot of verses for the clean version. There are a few beeps but the rewritten verses are dope too. There is also a very good song on the clean version that isn't on the explicit version, called I Made It, that is definitely worth looking for.
Yeah, "We made it" is absolutely worth checking for. The instrumental of it is a true masterpiece. Ahead of its time.
DeleteThanks for the tip on the CLEAN version. Just downloaded it from Amazon. Thanks for the good words. Yeah - I think the second album is worth checking out.
ReplyDeleteThe white guy is DJ Ant Capone, who was supposed to be the group's main DJ, but due to group politics, got forced out of the band. (Source: The Unknown DJ)
ReplyDelete