In 2014, Willie paired off with prolific Wu-Tang producer Bronze Nazareth, a fellow Grand Rapids resident, to record The Living Daylights, a full-length collaborative effort that would officially put his name in front of the many Wu stans who might have skipped over him in an effort to get the complete Wu-Tang saga. Even with the pedigree, Bronzey treated this as a Willie the Kid project over anything else, so while the beats reside in Shaolin territory (or at least the soul-soaked interpretation of Shaolin that Nazareth prides himself with), lyrically it's the Kid's show, and the feature list is filled with primarily collaborators that he would have worked alongside anyway, such as Roc Marciano, Boldy James, the late Sean Price, and, unsurprisingly, La the Darkman, Wu-Tang presence is kept to a minimum - although affiliates do manage to pop in from time to time, the connections still feel more natural than had, say, Method Man suddenly made a cameo.
Read up on The Living Daylights, over at the Patreon site, where my write-up has been unlocked and is free to subscribers at any tier level, including "free". (A subscription is required to access this review, however.) Enjoy this weird week between Christmas and New Years where time doesn't matter!
-Max

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