(Today's Reader Review takes a detour
into Wu country, so if you're just not in the mood, well, I don't
know what to tell you. Are you new here? Don't you realize how
often the Wu-Tang Clan pops up on HHID? Anyway, Michael decided to
write about West Coast affiliates Northstar (and their debut project,
Bobby Digital Presents: Northstar, with the emphasis inadvertently
placed on the wrong act right on the fucking album cover), and I
decided to post it. Leave your notes for Michael in the comments.)
Hello, Internet! Why am I reviewing
another obscure album, even after the collective yawn that followed
my review of Screwball’s Loyalty?
Because...well, I’m actually not sure. Anyway, if this introduction
seems rushed, it’s because it is: thinking about this album for
more than twenty seconds at a time hurts my brain. Enjoy!
Following the release of Wu-Tang
Forever in 1997, The RZA decided to branch out and search for new
talent, as the Clan was going through a turbulent period. He
ultimately wound up in Los Angeles, where he met several individuals
who would later become known as the Black Knights of the North Star
(a badass crew name, I might add). They soon found themselves
appearing on various Wu-Tang projects in the late 1990’s, such as
The Swarm, the Ghost Dog soundtrack, and The RZA’s own Bobby
Digital side projects. While none of the members were necessarily
bad, many fans were confused as to why The RZA chose to feature them
so prominently instead of the other eight core Clan members.
After many other small projects and
guest appearances, the group inexplicably broke in two: the Black
Knights and Northstar (now with both words in the name combined for
some reason). Both groups rose to pseudo-prominence in the mid
2000’s, with both of them recording studio albums, but only the
Northstar project, entitled Bobby Digital Presents: Northstar, ever
officially hit store shelves with actual label distribution and
promotion and stuff, so the duo, made up of Christbearer and Meko the
Pharoah, at least have that distinction.
So, how does this half of the West
Coast Wu ensemble fare in 2013? Not well.
1. LUV ALLAH (FEAT. KINETIC)
This beat sounds corny as fuck. The
vocal sample, which I imagine producer Armand Van Helden (better
known for house music than third-tier rap songs) thought sounded
uplifting and motivational, comes across as extremely tacky and,
well, stupid. What makes it even worse is Christbearer constantly
repeating, “This is so, so serious” over the hook, as if we
needed to be reminded of the importance and alleged poignancy of the
subject matter. I think by far the weakest link on this track is
Christbearer himself: his bouncy, upbeat flow does not mesh well with
more introspective-sounding beats (well, ones that aspire to be,
anyway) such as this one. Meko and Killarmy's Beretta 9 Kinetic sound
alright, though, and actually make the song better as it progresses,
but, ugh, that sample.
2. WE GOT IT (FEAT. FREEMURDER)
Now this is more of what I was
expecting from this project. The listener is immediately greeted with
aggressive drums and dark piano keys, making this sound much more
Wu-esque than “Luv Allah” ever dreamed of becoming. Apart from
the painfully generic hook provided by Freemurder (yeah, I have no
idea either), this managed to entertain me, thanks in large part to
the Mathematics beat, which Christbearer and Meko flow over
effortlessly. This song didn’t knock my socks off or anything, but
if memory serves, it was one of the strongest songs on the album.
Sigh.
3. SKIT (FEAT. CALVIN COOLER)
I have no idea what story is trying to
be told in this skit, and I do not ever want to listen to this again
to find out.
4. RED RUM (FEAT. SHACRONZ, & DON)
Rejoice my children; The RZA is here to
save the day! Oh, wait a minute, this song is terrible. In an era
when The RZA was producing classic Wu-Tang tracks like “Run” by
Ghostface Killah and “School” by Masta Killa, it is entirely
inconceivable as to how such a garbage beat like this could have ever
been created. Whether it’s the atrocious hook, the
insanity-inducing sample (which sounds like two mosquitoes fucking
inside of your ear), the mind-numbingly boring drums, or the
incredibly lackluster lyrics, this song is guaranteed to ruin your
day. I usually encourage others to listen to a song first and give it
a chance, but I feel perfectly comfortable warning every reader to
never listen to this song ever. It’s bad for your health.
5. SKIT (FEAT. CALVIN COOLER)
Okay, this one actually made me laugh,
but it was still highly unnecessary.
6. CRAZY (FEAT. TONEBONE, MIDNIGHT, &
SHOSHOT)
Mix Jive Musick comes across as a poor
man’s True Master on this track. While the comparison might turn
some people off immediately, I still found the beat to be quite good,
although the guest artists make it sound like complete shit,
tarnishing an otherwise good piece of production. Also,
Christbearer’s claim that “Bitches can’t swim ‘cause the
water too wavy” just sounded really dumb, and I could never bring
myself to look past such a stupidly worded line. However one may feel
about this song, it serves as a breath of fresh air after the
travesty that was “Red Rum.”
7. NUTTIN (FEAT. 9th PRINCE & DOM
PACHINO)
I sincerely hope that I was not the
only one who expected this song to be solely about actual
nut-busting. That I even considered such an absurd concept to be a
possibility speaks volumes about one of hip-hop’s many ills, but I
digress. This was actually a pretty good song featuring 9th Prince
(one of my favorite rappers, minus the bigoted homophobia – read
Max’s review of Granddaddy Flow and buy the album!) and an
uncredited Dom Pachino, both of whom are members of the much more
successful (relatively speaking) Wu-Tang offshoot group, Killarmy.
Armand Van Helden, the man behind “Luv Allah”, certainly chose a
much better vocal sample to utilize on this track, and it was fun
hearing 9th and Pachino spit alongside their West Coast brethren.
8. SKIT (FEAT. CALVIN COOLER)
Bloody hell.
9. SEE ME (FEAT. FREEMURDER)
Yikes. Definitely not what I want from
any Wu-Tang project ever. I’m pretty sure Northstar just got done
mocking 50 Cent in their second skit, yet this beat sounds identical
to the kind of club-banging crap that Fiddy loves to churn out in his
G-Unit sweat shop. It pains me to type these fucking words, but here
it goes: The RZA produced this song. At least with “Red Rum”, I
could understand The RZA’s motivation behind the beat, but “See
Me” is just so disgustingly anti-Wu that it hurts my heart. Puppies
get brutally decapitated and thrown into pits of fire-breathing
komodo dragons every time this song is played. The moral of this
story: don’t play this song.
10. 64
Northstar decides to rap about their
favorite Nintendo 64 gaming experiences over a (gasp!) pretty good
RZA beat. I really liked this song until I realized it was just an
inferior remix of a much better song that appears later on the album.
I’ll expand upon this later.
11. SO SO SERIOUS (FEAT. TMF)
Christbearer decided to take the most
irritating part of “Luv Allah” and turn it into an entire fucking
song? Christ! TMF, Ghostface Killah’s rap crew who eventually
morphed into the more recognizable Theodore Unit, rhyme over a looped
portion of Sly and the Family Stone’s “Sing a Simple Song (which
is about as original as sampling “Apache” or “Nautilus”) and
manage to sound much better than the West Coast duo. Christbearer
can’t help but sound painfully wacky over the irritating beat and
ultimately brings the entire song down with him. This was a
considerable misstep on an already questionable album.
12. DUCKIE
Mathematics once again provides
Northstar with a beat that complements the respective styles of both
members adequately enough. Christbearer and Meko (who hilariously
spells “Duckie” as D-U-C-K-Y during his verse) spin a yarn about
an old acquaintance of theirs who fell victim to the pleasures of the
ghetto. I certainly appreciated the Wu “feel” to this song, but I
in no way will grant that this actually sounded good. This was just
more piffle. Yay!
13. BALLIN (FEAT. SUGA BANG BANG &
SOLOMON CHILDS)
Frequent M.O.P. And Smooth Da Hustler
collaborator DR Period provides Northstar with a boring beat that
samples what I can only assume are old Sierra computer games from the
early 1990’s. How very poor. Pass.
14. DESTINY (FEAT. KINETIC)
What. The. Fuck? The “sung” vocals
sound absolutely dreadful over cheap-sounding piano plinks that I’m
sure not even The RZA would have bothered with for his own
experimental Bobby Digital material. What's that? The RZA produced
this track, too? Good heavens! Who knows how many honey-dipped
spliffs The Abbot consumed during the recording of this album, but
goddamn, it must have been the purest shit from the mystical fields
of Arcadia. No sober soul in the entire universe could ever think
this shit sounded good. Skip, skip, skip, skip!
15. BLACK KNIGHTS OF THE NORTH STAR
(FEAT. DOC DOOM & MIDNIGHT)
Well, this song is pretty damn awesome.
I oftentimes wonder if this is actually a great song, or I just
subconsciously think of it as one because it sounds so much better
than the rest of the album. I tend to side with the latter theory.
Compared to “64” (its ugly twin brother), this song skyrockets;
the guest appearance of the Black Knights (well, Doc Doom, anyway)
provides an extra layer of energy and finesse that is immediately
noticeable within the first five seconds of the track. Why did they
ever decide to split up again? Also, why the hell is “64” even on
this album? Is it really any secret that this is the only memorable
song they will ever make? Why tamper with your only saving grace?
Whatever, I’m just glad this album is over. I’m hungry.
FINAL THOUGHTS: I am going to admit
that this review took me several months to write. I could not bear
having Bobby Digital Presents: Northstar in my sight for more than
thirty minutes every lunar cycle. Maybe it had to do with the fact
that I struggled to understand The RZA’s motive to put his name on
the goddamn cover, but whatever, it probably made him a couple
hundred bucks. "Cash Rules" and all that. There are a few pretty fun
songs hidden beneath the myriad of shit- infested swamp filth, but
even for the most diehard of Wu-stans, Northstar isn't worth your
time. Studies have shown that sifting through this bucket of spunk
can permanently ruin your perception of the Wu-Tang Clan. The
psychological toll this album inflicts is far too great for any
mortal mind to bear, and it is for this very reason that I warn
everybody to just stay away.
BUY OR BURN? If you really love
Wu-Tang, then I suppose you could burn the tracks below, but wouldn’t
listening to Liquid Swords again be so much better? Hell, a kick in
the nuts is better than this shit.
BEST TRACKS: “Black Knights Of The
North Star"; "Nuttin"
-Michael
(Questions? Comments? Complaints?
Leave your thoughts below.)
Gotta be kidding me..
ReplyDeleteEasily one of the greatest albums of all time. I recommend everyone purchase this album as its deserving of so.
I've never been able to make it through this entire album in one sitting. Bleh.
ReplyDeleteAh Wu-Tang c-members. Can't live with em...for some reason can't live without em...review held my attention throughout despite the blah album, so well done Michael
ReplyDeleteMoral of the story: stop writing about obscure-ass albums.
ReplyDeleteballin is actually pretty decent..we got it and last song are good,rest of the album is more or less horrible
ReplyDelete